Mongolia Monday- Wildflowers, Part 2

Continuing on from last week:

Once again, the identifications are my best guess based on the field guide “Flowers of Hustai National Park”. Corrections more than welcome.

Except where noted all plants photographed at the Gun-Galuut Nature Reserve.

Caraway, carum carvi?
Caraway, carum carvi?
Eyebright, Euphrasia tatarica
Eyebright, Euphrasia tatarica
Goniolimon, Goniolimon speciosum ?
Goniolimon, Goniolimon speciosum ?
Globe thistle, Echinops latifolius
Globe thistle, Echinops latifolius
?
?
Haplophyllum, Haplophyllum dauricum
Haplophyllum, Haplophyllum dauricum
Hyssop, Lophanthus chinensis
Hyssop, Lophanthus chinensis
Hyssop growing near Kherlen River
Hyssop growing near Kherlen River
Milk vetch, Astragalus galactites
Milk vetch, Astragalus galactites
Onion, Allium odorum
Onion, Allium odorum
Orostacys species
Orostacys species
Persicaria species
Persicaria species
Pink, Dianthus versicolor
Pink, Dianthus versicolor, Baga Gazriin Chuluu Nature Reserve
Ptilotrichum, Ptilotrichum canescens
Ptilotrichum, Ptilotrichum canescens (yellow flower)

Field Sketches/I’ll Be At Pastels On The Plaza Tomorrow

I’m going back to my two-a-week posts. Mongolia Monday will start up again on, um, Monday, along with my eBay auction listing. Fridays and whenever the spirits moves me will be everything else: paintings in progress, etc.

Here are some recent pages from my sketchbook. They are done with whatever fine point liquid gel pen Staples had last time I needed some new ones. No preliminary pencil work, I just dive in with the pen and hope for the best. These were done at the Rolling Hills Wildlife Adventure’s zoo:

RHWA2009-1

RHWA-2

RHWA-3

RHWA-4

I finally sucked it up and sketched people for the first time in years on my way to the AFC “Art of Conservation” show opening weekend. Got to practice my furtive glance at San Francisco International Airport Gate 74. (ignore the date).

SFO-Gate-74

————–

I’ll be at PASTELS ON THE PLAZA in Arcata, California tomorrow morning from between 8 and 9am until probably around 11am. This now-traditional October event is a benefit for Northcoast Children’s Services and brings out well over one hundred Humboldt County artists who will fill the sidewalks around the Arcata Plaza with creative, fun and amazing pastel drawings, all for a great cause. Each artist has either found a sponsor or has been assigned one by NCS. The sponsor “buys” a single or double space and the artists donate their time. The Saturday Farmer’s Market happens at the same time, so it’s a big day-long street party. The pastels usually are visible for a couple of weeks or until the first winter rains hit.

A Special Visit to the American Museum of Natural History

I was one of a large group of artists in attendance this past weekend at the opening of the Artists for Conservation juried show “The Art of Conservation”, which is at the Hiram Blauvelt Art Museum in Oradell, New Jersey. There were two full days of activities planned for us and we made the most of them.

Considering my lifelong interest in animals and nature, I’m almost embarrassed to admit that while I have been to New York a few times, until this past Friday I had never been to the American Museum of Natural History (AMNH). On the other hand, the amazing tour we were taken on by Stephen C. Quinn, Senior Project Manager in the Exhibition Department, who is also a member of Artists for Conservation, along with being on the Executive Board of the Society of Animal Artists, more than made up for it. (We also had a day at the Bronx Zoo, courtesy of the Wildlife Conservation Society, but you’ll have to wait for the paintings to see what I found there.)

Stephen first treated us to a presentation on the legendary AMNH dioramas that fill the Akeley Hall of African Mammals, the hall of North American Mammals, Sanford Hall of North American Birds and other parts of the museum. The research, skill and art that went into their creation is also pretty legendary.

(Animal artists take note:) Nothing in them is generic. The background settings are all real places. Museum artists were sent out into the field and did wonderful studies en plein air. The animals themselves are all individuals, which lifts them far beyond any other taxidermy animals I’ve ever seen. Each specimen was carefully measured in the field and that data was used to create exact forms on which the skins were mounted. Attention was paid to each muscle so that it accurately reflects whether it was tensed or relaxed. These are the only mounts that I feel that I could confidently draw from and know that they are accurate.

African lions
African lions
Greater kudu
Greater kudu
Cougar
Cougar
Alaskan brown bears
Alaskan brown bears
Alaskan brown bears, background diorama detail
Alaskan brown bears, background detail
Alaskan brown bear, background diorama detail
Alaskan brown bear, background detail
Bighorn sheep
Bighorn sheep
Bighorn sheep, background diorama detail
Bighorn sheep, background detail from around the curve on the left
Moose, background by Carl Rungius
Moose, background by Carl Rungius
Moose, background detail
Moose, background detail; yup, it's a Rungius
Background; I must not have thought much of the animals because I didn't photograph them
Background; I forgot to photograph the rest of it

The backgrounds are like little master classes in landscape painting. Absolutely stunning. The above images just hit the highlights of some of the details that caught my eye.

As it turns out, a very special exhibition on the Silk Road, “Traveling the Silk Road: Pathway to the Modern World”,  opens on November 14 and Stephen took us behind the scenes into the studios and workshops where all the preparations are being done. We also got to see the space where it will all be installed Real Soon Now. A major feature is a partial reconstruction of the sunken dhow (a type of Middle Eastern ship which is “sewn” together, not nailed) that was recently featured in National Geographic magazine. It was found packed with thousands of bowls and other merchandise being exported from China to the Middle East. Until it sank.

The dhow section under construction with some of the pot. A mould was taken from one of the real ones.
The dhow section under construction with four of the pottery jars. A mold was taken from one of the real ones.
Some of the bowls, ready to be painted
Some of the bowls, ready to be painted
Stephen tells us about how the bactrian camels are being made
Stephen tells us about how the bactrian camels are being made
A board with some of the reference the artists are using
A board with some of the reference the artists are using
The mold for casting the camels' bodies
The mold for casting the camels' bodies
A few of the camel heads
A few of the camel heads

Eventually we were turned loose to explore the museum on our own for a couple of hours. I knew exactly what I wanted to find – some of the fossils that Roy Chapman Andrews’ Central Asiatic Expeditions of the 1920s brought back from The Flaming Cliffs (which are located in the Gobi, Mongolia; you knew I’d work Mongolia into this somehow, right?). Andrews was there as part of his work for the museum, so that’s where all the goodies ended up. I visited the cliffs myself in September of 2006 and was able to sit a short distance away to watch them as the sun went down. Flame they did, as you will see below.

It took a little searching, but I found a most of an entire wall in the Ornithischian Hall dedicated to those finds, including a clutch of fossilized protoceratops eggs. The first dinosaur eggs ever found came from Andrews’ Expeditions work at The Flaming Cliffs or, as the Mongols call the area, Bayazag, which approximately means “Place of the saxaul trees”.

Protoceratops pair
Protoceratops pair
Head detail
Head detail
Fossil dinosaur eggs; they had one that you could touch, too!
Fossil dinosaur eggs; they had one that you could touch, too!
The Flaming Cliffs with the saxaul "forest" in the background
The Flaming Cliffs with the saxaul "forest" in the background

Saxaul trees grow very, very, very slowly, so the wood is extremely dense. So dense, in fact, that if a piece of it is thrown in water it will sink. Most of the trees that I saw were ten feet high or less, so this isn’t “forest” as most Westerners think of it. And, not surprisingly, given the state of the planet, they are slowly disappearing due to being cut for fuel. Not quite endangered yet, but getting there.

Sunset, The Flaming Cliffs
Sunset, The Flaming Cliffs
Detail
Detail of the incredible color; Amusingly, the Mongols I was with found the moonrise happening behind me to be of much more interest

Lining the walls of the fossil rooms above the displays were some of the paintings that Charles R. Knight did during the time he worked at the museum. One of the first animal drawing books I got as a child was “Animal Drawing, Anatomy and Action for Artists”. I wasn’t really old enough to read it, but I copied and looked at the pictures for hours. As far as I know, it’s still available from Dover Books, but probably for more than the princely sum of $2.00 that my parents paid for it in the early 1960s. I really ought to go back and read it now. Might as well learn from the best.

Painting by Charles R. Knight
Painting by Charles R. Knight

As a final bonus, there was this lovely drawing by J. B. Shackleford, who participated in the Central Asiatic Expeditions as the official photographer. His place in paleontological history is assured, as you will see from this quote from Michael Novacek’s  terrific book “Dinosaurs of the Flaming Cliffs”:

“The expedition photographer, J.B. Shackelford, hung back with the caravan of spindly-wheeled Dodge motorcars. To pass the time, Shackleford took a brief walk. Far to the north on the horizon he could see some volcanic hills that looked like islands floating in a sea of pink sands. As he walked in this direction, he saw an abrupt edge to the burnished grass, and a thin orange line beyond. He walked to the edge of the plateau. There below him extended a fantasy land of orange-red cliffs and spires. As Andrews later wrote, “Almost as though led by an invisible hand, he (Shackleford) walked straight to a small pinnacle of rock on top of which rested a white fossil bone.” This was the skull of a parrot-beaked, frill-headed dinosaur, a year later named Protoceratops andrewsi.”

Drawing by J.B. Shackleford
Drawing by J.B. Shackleford

I probably didn’t even manage to see half of the museum, so I have ample excuse to go back again. Which I shall.

On-going Notes from the Society of Animal Artists Show Opening- I’ve Been Elected to the Executive Board

Sept. 7

I’m not in Kansas anymore and there’s no place like home. Interesting trip back which started when I found out at the Wichita airport that my flight home via Sacramento had been canceled and that I would have to stay overnight in San Francisco. United Airlines never contacted me, even though they seem to have my correct email address and I was checking email twice a day. They will be hearing from us. I ended up at the Hilton near the airport. The guy behind the counter listened to my tale of woe and gave me a “Preferred” room for $70. Very spiffy room with big LCD tv hanging on the wall. Lamps next to the bed with dimmers, very comfortable bed, great omelet for breakfast, so it all worked out.  A big, fat Win for Hilton.

Pleasantly uneventful last leg. It’s nice and sunny. Hope to be back in the studio tomorrow with wonderful memories of all the great artists and art I saw at the opening.

Sept. 6

The annual membership meeting was held in the morning. Lots happening. The Society is closing the office it has maintained at the Salmagundi Club in New York, which will save a ton of money. The Society is now based in Colorado, home of the President and our Administrator. There are big, exciting plans afoot for our 50th anniversary Art and the Animal Show to be held in San Diego next year. A week’s worth of events, a Life Achievement Award for Robert Bateman, who will be in attendance, enough room for lots of member’s work and also large works, talks, workshops, possible trips to Marineworld and the San Diego Zoo Wild Animal Park. Members coming in from all over the world.

But the big news, personally, was that I have been elected to serve on the Executive Board of the Society! I sent in the required “Why I want to do this” letter, but didn’t really expect anything to come of it for at least a year or two. However,  a couple of long-time Board members dropped off, so the Nominating Committee tapped me and another gentleman to run, so we’re both in. I plan to attend the November meeting in New York, although my term doesn’t start until January. I’m really excited about this opportunity to get more involved in the Society and to work with the other board members, superb animal artists all.

After the meeting, most of us adjorned to the zoo for one more round of sketching and photographing the animals.

We gathered in the evening at 5pm for “Social Time”. Everyone brought their show catalogs and we spent over an hour getting each other to sign their respective pages. It was kind of like a high school year book signing at the end of the school year, but without the social drama. A great deal of fun.

Then it was time for dinner. I had the good fortune to have picked the most fun table and probably the rowdiest, sitting with Jan Martin McGuire, Paul Rhymer, Joni Johnson-Godsy, Kelly Singleton, a couple of spouses and another very amusing artist whose name I didn’t get. At one point Diane Mason’s husband came over and told us that they were going to split us up. I guess we were having too much fun ;0).

The final business was the handing out of the awards. One good friend, who shall remain anonymous until he is officially notified, received an Award of Excellence and a number of new friends, who I met this weekend, also got awards. Our new President, Diane Mason, who has already brought amazing energy and new ideas to the organization, got a well-deserved standing ovation.

I drive back to Wichita tomorrow to catch an afternoon flight for home.

My camel painting on the wall at Art and the Animal
My camel painting on the wall at Art and the Animal

Sept. 5-

As those of you who followed the run-up to my Mongolia trip may remember, I bought a Flip video recorder for the trip. As it turned out, I really never used it. Too much else to think about. But I brought it with me and yesterday I was watching some timber wolves at the zoo and thinking about how to capture in paint that graceful, loose-limbed stride they have. Then I remembered, duh, I have the Flip with me.

Here’s a sample. It will be interesting now to draw from this kind of reference-

Sept. 4, later-

Later-
Back from the opening, at which there were around 40 artists. There have been a few sales already, which is good news for everyone. I’ve only seen Art and the Animal in the show catalogs. This is the first time I’ve seen it in person. It appears, from some of the comments that I’ve heard, that this show is particularly good, so I’m even more proud to be a part of it. Sat at dinner with another artist, Kim Diment, who I met on Simon Combes’ last safari in 2004. We ended up regaling the table with tales from the field- elephant encounters, hippo incidents, etc. Sculptor Karryl had a great wild dog story. Saw them pull down an impala in Botswana. Perfect dinner table conversation. If you’re animal artists.

Amur Leopard
Amur Leopard

Sept. 4-
Spent most of the day sketching at the Rolling Hills Wildlife Adventure zoo and taking pictures. So far, the big hit seems to be a small pond outside the entrance to the museum that has water lilies and at least ten frogs, who may now be some of the most photographed frogs in history. At a place where there are snow leopards, amur leopards, Indian rhinos, black swans, orangutans and other exotic creatures, it seems like every time I walk out of the museum there’s at least two or three artists photographing the frogs. The opening reception is this evening. Should be fun!

Frog

Sept. 3-
Back from the Art and the Animal show venue, Rolling Hills Wildlife Adventure. About eight of us are here a day early. They fed us a lovely brunch and then we got to see the show, which is filled with superb work. After that, we were taken on a walking tour of the zoo, which has everything from capuchin monkeys to asian rhinos. We invade a local Italian restaurant at 6:30.

Black Swans
Black Swans

Sept. 2
Hanging out at the Country Inns and Suites in Salina, Kansas after visiting the Tallgrass Prairie National Reserve. Gloomy, grey day, so nothing to photograph. It is, after all, thousands of acres of….grass, but represents a significant chunk of the 5% or so of that ecosystem that is left. They hope to reintroduce bison at some point, but not remove the domestic cattle, which is too bad.

Transcaspian Urial
Transcaspian Urial

Sept. 1-

Trip started with a 90 minute delay due to weather in San Francisco, not uncommon for the 8:50 am flight. My next two legs were bumped to later flights, so I got into Wichita at 9:30 instead of 7:30. I so love arriving in places I’ve never been after dark and having to find a motel on the other side of town. But it all worked and the Fairfield Inn and Suites was quite nice. Super comfy bed.

Why I Love Mongolia: The Land

I’ve been back a week now. Something special happened on this, my fourth trip. A lot of things came together for me and I was able to experience Mongolia and connect in ways that I hadn’t on previous trips, even though something kept driving me to return.

Some of it was simply gaining a familiarity that made this trip by turns exhilarating, relaxing and just plain fun, instead of low-level stressful. A lot of it was the two people I traveled with, Khatnaa, my guide for the first nine days, and Gana,with whom I traveled to Ikh Nart, who answered my questions with consideration and honesty, and helped me start to understand what it is to be a Mongol. But, mostly, I felt like the land itself let me in and then offered up treasure after treasure.

I’ll share some of those treasures over the next few posts. Today, it will be images of where Mongolia really starts – the land.

I love and grew up in forests, but traveling across the steppe is one of the things I most misss already.
I love and grew up in forests, but traveling across the steppe on the earth roads is one of the things I most miss already.
Small lake with demoiselle cranes
Small lake with demoiselle cranes in lower left
Tahilgat Hairhan
Tahilgat Hairhan
Lightning storm, Arburd Sands ger camp
Lightning storm, Arburd Sands ger camp
Kherlen Gul valley, Gun-Galuut
Kherlen Gul valley, morning light, Gun-Galuut Nature Reserve
Kherlen Gul and east slope of Baits Uul, morning light, Gun-Galuut Nature Reserve
Kherlen Gul and east slope of Baits Uul, morning light, Gun-Galuut Nature Reserve
Kherlen Gul valley, summer day, Gun-Galuut Nature Reserve
Kherlen Gul valley, summer day, Gun-Galuut Nature Reserve
Rainbow over ger, Baga Gazriin Chuluu Nature Reserve
Rainbow over ger, Baga Gazriin Chuluu Nature Reserve
Storm light, Baga Gazriin Chuluu Nature Reserve
Storm light, Baga Gazriin Chuluu Nature Reserve
Horse and rider, early evening, Baga Gazriin Chuluu Nature Reserve
Horse and rider, early evening, Baga Gazriin Chuluu Nature Reserve
Aspens amid the rocks, early evening, Baga Gazriin Chuluu Nature Reserve
Aspens amid the rocks, early evening, Baga Gazriin Chuluu Nature Reserve
Oncoming storm, Red Rocks ger camp, Ikh Nartiin Chuluu Nature Reserve
Oncoming storm, Red Rocks ger camp, Ikh Nartiin Chuluu Nature Reserve
Rock formation, Ikh Nartiin Chuluu Nature Reserve
Rock formation, Ikh Nartiin Chuluu Nature Reserve
Moonrise, Ikh Nartiin Chuluu Nature Reserve
Moonrise, Ikh Nartiin Chuluu Nature Reserve

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A Quiet Day

I woke up at 3:30 am and couldn’t get back to sleep. Last effect of the minimal jet lag, I guess. Had breakfast, packed, surfed internet, iChatted with David. Jan finally called. Driver and guide picked me up around 12:30 and dropped me off at Bishrelt Plaza Hotel, where we stayed last year.

Needed lunch and dining room was closed because they were catering a large wedding. Went out and found an internet cafe with outdoor seating and menu in Mongolian only. I saw one item I recognized for sure, buuz. 300 tugrigs, about 25 cents each. Managed to order two and a beer in Mongolian. Was quite pleased with myself and the waitress got a kick out of it. The buuz and the beer hit the spot. Another place to add to the list. When she brought my check, the waitress, who was not Mongolian, spoke English and did very well. A successful cross-cultural exchange.

Back to room and resting. Hoping to get an internet connection. So close, yet so far. AirPort sees the hotel network, but says I need a password. Time to go to dinner now.

Update: met the rest of the Naadam tour group in the lobby at 6:45. Three Brits, three Swedes and one American besides me. All seem nice. Sat with the Brits at dinner, which was carrot salad, soup and very good mutton. Washed down with Chinggis beer.

Asked desk clerk about internet while getting my room key and Sean, the American says “I believe I can help you with that.” And he did. Told me which of the two networks worked best and, for some reason that I’m sure the universe finds extremely amusing, this time if fired right up, so I’m on until I leave for Gun Galuut on Monday.

Sean also is using Skype on his iPhone, so he doesn’t need a sim card. Went to download it myself, though, and got a AT&T message about how much it will cost per minute for data ($19.97!). Obviously needed to do it before I left home.

So here I am in Mongolia futzing with technology so I can email and blog. It really is a global village.

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Out and About in UB- A Visit to the Mongolian Modern Art Gallery (Illustrated)

Went to BD’s Mongolian BBQ for dinner night before last. It’s quite popular with the Mongols even though there’s nothing authentically Mongolian about it. Apparently it’s a Chinese invention. BD’s does the same kind of stir fry on a big hot surface that you see in the USA. Mongols don’t do stir fry.

Real Mongolian BBQ involves killing a goat, slitting the body cavity open, cleaning it out, stuffing it full of hot rocks, putting the whole thing in a metal container and setting that on hot coals to cook. When it’s done, the meat is pulled out, along with the rocks, which are then passed around, hand to hand, for good health. And yes, I’ve had it, hot rocks and all, and it was good.

I don’t envision a real Mongolian BBQ place coming to your neighborhood anytime soon.

I’ll probably go back there again since for 6900 tugrigs I can get a heaping bowl of veggies, noodles and meat with Mongolian ginger sauce. A small Chinggis Khan beer is 2100 tugrigs. 9000 tugrigs at the moment is less than $8.

Plus the cooks show off by doing things like lining up four or five pieces of broccoli on the long sword-like turner and then flipping them all up into the air and catching them all on the plate. So it’s dinner and a show.

———-

This morning I had breakfast in the hotel, which is included in the price of the room. They’ve gone from a menu to a breakfast buffet with an egg cook, like you see at many hotels now in the states. It’s really sped up getting breakfast and one can skip the slices of mystery meat that I think they put out for the Germans.

The weather was nice and cool when I left the hotel around 9 am. I walked about twenty minutes to the Mongolian Modern Art Gallery, which is actually a museum since nothing there is for sale. There was a show that I had read about on one of the Mongolian news sites and today was the last day.

With all the Prop. 8 stuff in California and the civil rights issues concerning LGBT citizens that remain to be addressed, I wanted very much to see “Beyond the Blue Sky”, a “multi-media art exhibit for, and in collaboration with, Mongolia’s lesbian, gay, bisexual and transgendered community.

The people in the photographs have their faces covered by khadags, blue scarves, which are given as gifts, but are also used to cover the faces of the dead. It symbolizes the position LGBT people find themselves in in Mongolia since currently they cannot live their lives fully, but must conceal their gender identity or otherwise be vulnerable to prejudice, discrimination and violence.

It was a very powerful show.

Here’s the image that really struck me the most:

Image of man in del. face covered by khadak, "Beyond the Blue Sky"
Image of man in del, face covered by khadag, “Beyond the Blue Sky”

I then went upstairs to see the main galleries, which house original Mongolian paintings, sculpture and fine craft dating from the early/mid-20th century. As a socialist state with close ties to the Soviet Union, aspiring Mongol artists often studied art in Moscow. This gave them a grounding in classical realism that allowed them to create paintings of great quality. And they’ve built on it ever since, adding their own unique interpretations of the world they live in.

Here are some examples:

Portrait, Orkhon, N. 2006 oil
Portrait- Orkhon, N. 2006 oil
Portrait, detail
Portrait, detail
The Red Portrait, Nasantsengal Bayanjargal 2001 oil
The Red Portrait- Nasantsengal Bayanjargal 2001 oil
The Own Portrait- Ulziikhutag, Yondon 1991 oil
The Own Portrait- Ulziikhutag, Yondon 1991 oil
Lord of Great Land- Ichinnorov, Choij  1981 oil
Lord of Great Land- Ichinnorov, Choij 1981 oil
In Art Studio- Bold, Dolgorjav  1981 oil
In Art Studio- Bold, Dolgorjav 1981 oil
Horses Hoof- Tsegmid, P.  1986  oil
Horses Hoof- Tsegmid, P. 1986 oil
Post Man- Tsembeldorj, Myatov  1997  oil
Post Man- Tsembeldorj, Myatov 1997 oil
The Bullet of the Sky- Tumurbaatar, Badarch  2004  oil
The Bullet of the Sky- Tumurbaatar, Badarch 2004 oil
The Guardian Spirits- Advabazar, Nyam  2001  oil
The Guardian Spirits- Advabazar, Nyam 2001 oil
The Light of the Steppe- Sanchir, N.  2002 oil
The Light of the Steppe- Sanchir, N. 2002 oil

There was also this wonderful ceremonial drum with deer painted on it..

"Deer Drum" leather on wood frame
“Deer Drum” leather on wood frame
"Deer Drum", detail
“Deer Drum”, detail

Finally, here are some views of the gallery spaces:

Gallery 1

Gallery 2

Gallery 3

I had lunch at Millie’s, which serves good solid American food like burgers and sandwiches and is popular with the expat community of consultants and aid workers, along with visitors like me.

The next stop was the Hi Fi store, to see if I could get some of the music CDs for groups I’ve found on YouTube and Imeem. And I had some success. By the time I left, it was getting seriously hot, so I hiked it back, about 30 minutes, to the hotel to hide out until it cools down.

———

An addendum to my comments about all the livestock I saw when I was coming into town. Looks like it’s not as charming and picturesque to the authorities as it was to me. This is from a Mongol news website, http://www.en.news.mn:

“Herders asked to move livestock away from Ulaanbaatar
Tue, 7 Jul 2009 17:07:49

The Metropolitan Professional Monitoring Agency has reminded herders that there is a ban on livestock entering Ulaanbaatar green areas, and another on trading of any form in certain areas. With demand for sheep rising in Ulaanbaatar just before and during Naadam, some herders come to the city with their livestock at this time and the reminders are aimed at stopping the move.

Some 200 herder families have brought 30,000 animals into prohibited areas. The law calls for confiscation of all income earned from trading in such restricted areas. Further violation of the law can lead to imprisonment.”

Ouch.

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How To Run a Hotel, Cont. – And I’m in Ulaanbaatar

I came downstairs to check out after the previous post. I walk up to the counter. The nice woman says that she is to call the manager, who wishes to speak with me. In the meantime, I finish settling my bill. He comes out and asks if breakfast was ok. I say fine and then tell him that everyone makes mistakes, but it’s how they respond that counts and that he and the hotel had out-done themselves and I was very pleased. He smiled and made a little bow. I then asked where to go to wait for the shuttle bus. And he says……we have a special shuttle for you, a car. And darned if there wasn’t a spiffy black sedan waiting at the curb for me. Can you believe that?

I walk out to the car and get in while they load my luggage. Just before we pull away, I look to my right and there is the manager and one other man, in attendance is the only way to put it. I smiled and waved and they smiled and bowed. And then the fairy princess was wisked away to her MIAT flight to Ulaanbaatar, where she is now ensconced in a tenth floor room with a view of Peace Ave. at the Narantuul Hotel and happily connected to the internet, a great relief.

——-

On the way in from the airport, besides the gers and gas stations, buildings and billboards, there were sheep. And goats. And cattle. Lots of them. And Mongol guys riding around on horseback. I must have seen 20 small to largish herds of animals. Their owners were hanging out in whatever shade they could find. The billboards seemed particularly handy. One family group had set up a low table with a white cloth on it and appeared to be about to have tea.

I’ve never seen this between the airport and town before, but then I realized – Nadaam. The herders have come in from all over and they can’t leave their animals, so everybody is here. I also think I saw some townspeople “shopping” for that perfect main course for their holiday dinner. On the hoof at the moment.

I had no idea and the cameras were buried in the suitcase, so no photos at the moment. But it was a great sight. And is exactly the kind of thing I love about Mongolia.

———

If Chinggis Khan had had a car it probably would have been a huge black Hummer trimmed out in lots of chrome, like the one I saw coming into town. Over here those stupid things almost make sense.

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How to Run a Hotel and a Cautionary Tale from Last Year’s Trip

Just back from breakfast. I had asked for an 8am wake-up call when I checked in last night, just in case I had a rough time getting to sleep. I didn’t.

This morning, 8am came and went and no call. Inexcusable in a high-end business hotel adjacent to a major international airport. Especially for what they charge for a room, which was still cheaper than the expense and hassle of going through Beijing.

So I stopped by the check-in counter and told the woman what had happened because I thought they needed to know that the young lady who checked me in last night was apparently more focused on running through her spiel about how, for only $40 more, I could have a room on the Concierge Level with a beautiful view and complementary wine and beer. I passed since the last thing I cared about at that point was a convivial drink and a view.

The staff woman apologized, I went to breakfast and figured that was the end of it. But no…..

I was walking back to my table with my guava juice when two, not one, but two managers came up to me. They apologized a couple more times, explained that the call request had not been written down wherever it was supposed to have been noted and informed me that the hotel was comping my breakfast, a rather lavish buffet with items from at least three or four countries. Eggs any style, including custom omelets, all the usual side dishes, Korean dumplings, German bircher muesli, five kinds of juice, a huge spread of breads, four kinds of yogurt…….

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If you’re interested, here’s the Hyatt Regency Incheon’s website. We ended up staying here last year when our flight through to UB was re-scheduled to late the following afternoon due to weather. Wind was what we were told. Why I’m flying with MIAT this time instead of AirChina. Hope it works.

At that point we had, or I had, an “adventure”. We looked over the hotel options and picked the Hyatt because we’ve stayed at them before and liked them and we could get points for future stays. There was also the advantage of the presumably familiar which is comforting when things are a little stressed.

The incredibly helpful Korean United Airlines staff (who the UA people in Chicago could learn a few things from), extracted our luggage out of the hold area, so we could have clean clothes, in about 20 minutes. Off we went to the shuttle, which is a big bus. At this point, we had just come off an 11 hour flight from San Francisco and were not tracking too well.

Our luggage joined a huge pile on the sidewalk. The driver gestured to us to get into the bus while he loaded as much luggage as there was room for. So we did and I sat there in air-conditioned comfort as he then drove away, leaving my roll-on with $3000 worth of camera equipment sitting on the curb with no one watching over it or any of the other bags. The driver spoke no English, so had no idea why this crazy American woman insisted on riding back to the airport with him. Longest four minutes of my life, I’ll tell you.

We get there and I spot the bag and make sure it gets loaded. Then I start to breath again.

We arrive back to the hotel and as my bag is unloaded. I make eye contact with the driver and gesture like I’m taking a picture. I see the light come on and he grins in understanding. We shake hands. All’s well that end’s well.

So yesterday it’s same song, second verse. Same bag with same camera stuff, same bus, same driver, same gesture to get on, but this time I watch the bag go onto the bus. Whew.

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