Mongolia Monday- More Horses and an Interesting New Book

Continuing on from last week, here are some more horse drawings. I’m looking for interesting gestures and angles other than from the side.

mh-walkingmh-grazing2

mh-grazing

Next week I plan to do some sketches of various combinations of horses to see how they look.

——–

Here’s a link to a story that was on CNN last week. It’s about an autistic boy whose father and mother take him to Mongolia, both to be healed by shamans and to spend extensive time on horseback.

And, as it happens, a dear artist friend of mine just sent me an autographed copy of the book that has resulted from the trip, The Horse Boy. I’m only part of the way in, but it’s a facinating book on a number of levels- the treatment of autism, Mongolia, its horses and shamanism. I’ll do a review once I’ve finished it. Suffice to say for the moment that the author experienced the same patience, tolerance and good will that I have during my travels there.

Mongolia Monday- Starting a New Painting and You Can Follow Along

I had an idea for a painting the instant I saw this scene on the way back from the Ikh Nartiin Chuluu Nature Reserve in 2006.

source-photoI love the colors, the clouds, the Mongol horses grazing, but compositionally it’s a long way from a painting. My plan is that this will be a major work, as in large, maybe 3’x4′ or more since I want the horses to be big enough that I can really paint each one individually. I learned this approach in art school when one of my teachers showed our class a painting he did of the Founding Fathers signing the Declaration of Independence. Why so big, we asked. Because I didn’t want to paint the heads any smaller than an inch high, he replied. Oh, we said. Taking that as a beginning, he knew how big the painting would end up being. I’m thinking each horse at 3″ to 4″ from the back to the ground. This could change, but it is a starting point.

The process I’m going to demonstrate is the one taught me at art school when I was studying to be an illustrator. I don’t always do all the steps, but this time I probably will, both because it’s a large piece and because other artists might find all or part of it useful in their own work.

The next step was to do a small thumbnail to get my initial vision down.

thumbnail

This took about 30 seconds, but it has the essential information: low horizon line, mountains in the background, clouds stacked up picturesqually, one large and one small group of horses grazing. The proportions aren’t right yet, so I’ll be doing more thumbnails, as many as it takes.

In the meantime, I’m also doing fairly quick drawings of horses grazing and moving to see which ones I think will work in the painting.

mongol-horse-grazingmongol-horse-foalwhite-faced-horse

To Be Continued…..

Mongolia Monday- Painting A Mongol Horse Stallion

Today I thought I’d share my record of the progress of a painting that is currently hanging in the Redwood Art Association juried membership show at the Morris Graves Museum of Art in Eureka, California, which is about 20 minutes from where I live. This sequence should give you a pretty good idea of how I work.

ikh-nartiin-chuluu17-31-04Here’s the reference image that I started with. It was taken in September 2008 at Ikh Nartiin Chuluu Nature Reserve. This group of horses wandered right past the ger camp one evening. I got lots of great pictures. Looking at them when I got home, I was struck by the stallion’s pose as he showed off around the mares. I haven’t done too many domestic horse paintings and I wanted to really focus in on understanding their structure and capturing the sheen of the coat, so I decided to use a fairly large canvas and only paint the horse.

mh-11Here’s how I started. The support is gessoed canvas on hardboard and measures 24″x36″. I did an initial lay-in with a brush. All I cared about at this point was getting the horse where I wanted him on the canvas and indicating the proportions correctly. You can see on the front leg that is lifted where I have started to do the actual drawing.

mh-2This step shows the finished drawing for the head, shoulder and front legs. At this point, I had dragged out all my books on horse anatomy to double check the structure and confirm that I had understood it correctly. Changes are easy to make at the drawing stage, but I’ll wipe out and re-do at any point if I see something that’s wrong. That’s just the way it goes sometimes and I don’t fight it or make excuses to myself anymore. I also have a full-length mirror behind me and I use it constantly to check the drawing for accuracy. I’ve designed the mane and the tail shapes, some of which are planned to go off the edge of the canvas so the horse isn’t floating and looks more like he just happened to be walking through the frame.

I’ve started to lay in the first layer of color on the body and hindquarters and am already varying the values to pick out anatomical structures like the hind leg tendon and to start suggesting the roundness of the torso. Since I’m working from a digital photograph, which flattens form, I’ve schooled myself to compensate by always looking for ways to get back the three dimensional form I know is there.

mh-3I’ve finished the initial color layers and am starting to paint with the knowledge that the strokes I make now will quite possibly be visible in the finished painting. I’m always refining the drawing as I go. One of the things that interested me about doing this particular piece is that you can’t see his eyes at all, so I wanted to capture his attitude and character from his body language and by painting him big on the canvas. I was also thinking of the design of the positive space -the horse- and the negative space -the background.

I’ve developed a procedure in which I go darker and the opposite color temperature than where I want to end up. When I come in at the last with the final value and temperature, the contrast will create the richness and variety that I really like.

mh-4Most of the basic lay in is done. All my darkest darks and medium tones are in, except for those patchy looking bits that I haven’t gotten to yet. Now the fun starts….all the juicy highlights, modeling and finishing touches that are a reward for the prep work leading up to it.

Mongol Horse #2-Ikh Nart Stallion oil 24x36 (price on request)
Mongol Horse #2-Ikh Nart Stallion oil 24x36 (price on request)

And here is the finished painting! Since all I cared about was the horse, I kept the background simple and just added some shadows to “ground” him.  I wanted a neutral tone that related to his color and then added the soft yellow band to give it a little visual punch. I feel like I have a much better grasp of horse anatomy now and I’m pleased with how it came out.

Mongolia Monday- Painting Mongolia Subjects

I thought that I would start to share how I put my Mongolia paintings together, starting with a subject from Ikh Nartiin Chuluu Nature Reserve. I had never been to a place anything like it and before I began any finished gallery paintings, I needed to learn to paint the various elements, both the land and the animals. Here are two studies of the rocks, one of a young ibex and a finished 15×30 of two argali-

Ikh Nart Rocks #1  oil  12x16
Ikh Nart Rocks #1 oil 12x16
Ikh Nart Sunrise  11x14 oil
Ikh Nart Sunrise 11x14 oil
Young Ibex 9x12 oil
Young Ibex 9x12 oil
Ikh Nartiin Chuluu Argali  15x30 oil (price on request)
Ikh Nartiin Chuluu Argali 15x30 oil (price on request)

Since most people are not familiar either with the species or the  place, I wanted this first painting to show the kind of landscape that argali like; not just mountains, but upland areas with these rocky outcroppings. You can see the steppe down below and off in the distance. These were two rams who were spending at least part of the day together. It turns out that argali don’t form permanent harems or herds. Animals of all ages and both genders group and re-group throughout the day in numbers, at least from what I saw, from one to twenty or so and everything in between.

Mongolia Monday

kt-takhi-boys1I’m going to start posting drawings of various subjects since, after all, I am an artist, not a photographer or book reviewer. Today’s drawing is of two young takhi stallions that I photographed at Khomiin Tal, the third takhi reintroduction site after Gobi B and Hustai Nuruu. It is located in the Zavkhan province or aimag, which is in western Mongolia. I read on one of the Mongolian news websites that the herders out there lost 250,000 livestock over the winter. I haven’t found any info on the takhi, but I know that people stay out at the research camp and feed them if necessary. Twenty-two horses were initially shipped to Khomiin Tal from a semi-reserve in France which is located at high altitude in the French Alps. I would think that there would be over two dozen horses by now.

These two young guys were “feeling their oats” when I saw them in the morning and were pushing, mouthing and generally harassing each other. What made it nice for me is that they were Doing Something instead of just standing around or grazing with their heads down. Getting reference of wild animals actually moving and behaving naturally is kind of a gold standard in wildlife art. More next week!

Mongolia Monday- “Required” Reading, Part 2

Last week, we started with personal accounts by people who had lived in Mongolia as journalists or as a teacher. This week, it’s three selections from one of my favorite genres- travel writing. I’ve had some fun and “interesting” times on my travels and folks back home here in northern California think I’m very brave and adventurous. That’s as may be, but let me tell you, these books will put my travels into perspective in a hurry.

The first two, written about ten years apart, are the result of actually doing what a fair number of adventure travelers have probably considered or wish they had done: follow in the “hoofsteps” of Chinggis Khan’s Horde and travel across Mongolia by horse.

First up. Tim Severin:

severinTim Severin has made a name for himself re-creating famous journeys of the past and then writing compelling, informative and sometimes humorous  books about what happened. I first found some of them on a remainder table in an English bookstore and have since read as many as I can get my hands on. A few examples: his first foray was to cross the Atlantic in the same kind of small leather boat that St. Brendan used when he supposedly made the same trip (The Brendan Voyage). Another was to have a traditional wooden Arabic ship called a “dhow” constructed so he could retrace the voyages of Sinbad (The Sinbad Voyage). He has also traced the route of the Crusaders from Bouillon in France to Jerusalem. In 1987-88. On horseback. By which time there were somewhat different obstacles to overcome than the ones the original Crusaders faced.

Severin’s journey across Mongolia took place in 1991, when the country was in dire economic straits from the withdrawal of the Soviets and was beginning to create a new government and civil society from ground zero after 70 years of socialism. He had been asked to help a group of Mongols travel the route of the Mongol Empire’s amazing overland communication system that made it possible for messages to cross 2/3s of the known world, from Mongolia to the Danube in about two weeks. The grand plan for this journey involved riding, in stages, a distance equivalent to that between Hong Kong and London, around 6,000 miles. He jumped at the chance because “Here was the most wonderful opportunity for me to travel freely inside Mongolia, not just as an outsider following his own program, but in the company of Mongols who were committed to rediscovering their own history. It was an opening no Westerner had ever been offered before.”

After trip preparations that became a small saga in themselves, the expedition was on its way. “At first the ride was exciting and spectacular. There was the constant rumble of 100 sets of hooves, the shouts of the herdsmen, the mob of horses surging forward….and the sheer exhilaration of riding at a fast pace across unspoiled countryside…..Sure enough, after three or four hours, the well-remembered riding aches and pains set in…The hammering, jarring flat run of the Mongol horses was as excruciating as ever….I understood why the Mongol dispatch riders had found it necessary to strap up their bodies in tight bandages…..”

The account of the trip then moves forward, interspersed with lots of information about Mongolian history and culture. Obviously, highly recommended, as are the next two.

In Search of Genghis Khan, Cooper Square Press, 2003

in-the-empire

Stanley Stewart caught the Mongolia bug and nurtured the idea of going there for 25 years. In his 2002 book, In the Empire of Genghis Khan, Stewart, having made his way from Istanbul through Kazakhstan, finally finds himself being served dinner in a ger near the town of Bayan-Olgii in far western Mongolia. “Sated with sheep guts, we settled into after-dinner chat. Bold explained that I intended to ride across Mongolia to Qaraqorum, the ancient capital, then beyond to Dadal, the birthplace of Genghis Khan. Batur looked for me a long time without speaking. The plan was obviously too outlandish to merit comment…Batur saw no reason to try to dissuade me. Events would soon take care of that.”

As you might imagine, I really liked this description of the horses: “The relationship of Mongolian horses to the wild Przhevalsky’s horse of these regions has yet to be conclusively established (it has since been demonstrated that the domestic and wild horses diverged about 500,000 years ago) but presumably they share the same parole officer. They looked like the outlaws of the equine world….What they lacked in stature they made up for with attitude. They had carried the hordes of Genghis Khan to the gates of Vienna….Now they milled about on the slope below the ger, snorting and pawing the ground, a rabble looking for excitement and hostages. ”

Interestingly, both Severin and Stewart describe the morning process of saddling the horses as “a rodeo”.

Aided by a succession of patient interpreters, who changed out at each stage of the trip, Stewart makes his way across the vast empty interior of Mongolia. Well, not quite. “In Outer Mongolia, my social calendar was packed. Lunch invitations, drinks parties and dinner engagements came thick and fast. There were times when crossing the Mongolian steppe felt like a royal tour of which I was the unlikely focus.” All to say that, after a thousand years, the traditional customs of Mongolian hospitality are alive and well. I can personally vouch for that.

In The Empire of Genghis Khan, The Lyons Press, 2002, 2000

long-way-round

In their 2004 book, Long Way Round, Ewan McGregor (yes, that Ewan McGregor) and his good friend Charley Boorman decide that their lives will not be complete unless they ride their motorcyles from London to New York – by way of Europe and Central Asia. A four month jaunt of 20,000 miles, as it turned out. The reason I include their book on this list is that not only did they travel through Mongolia, but that out of all the countries they visited it was the one that grabbed McGregor and hung on.

Having finally made it to and through a border crossing in the far west that was normally only open to Russian and Mongolian goods vehicles “we rode into Mongolia, turned a corner and ran straight into a herd of yaks….” And a few minutes later, “We pulled into a clearing, where our local fixer, Karina, had been waiting for four days. She was very excited to see us and tied blue ribbons (actually blue scarves called “khadak”) to our bikes, a Mongolian shaman tradition used to bestow good luck on babies and vehicles”.

The book is largely excerpts from the diaries they both kept and, as many of you know, they were also accompanied by a small film crew. Ewan and Charley quickly find out that in most of Mongolia the word “road” doesn’t mean the same thing as it does in the west. Mongolia is not a country where you fly in, grab a rental car and head off into the countryside. Unless you have a GPS and are willing to spend a lot of time trying to puzzle out which of the endless braid of dirt tracks is the one you want, because there are no road signs. None. Not that you are all alone out there on the steppe. “At the top of the first pass, we came across a nomad on horseback with three camels and a couple of dogs. He was a stunning man, fine-featured and handsome, proudly sitting bolt upright on his horse. In the traditional garb of pointed leather herdsman’s boots, a Mongolian hat and several layers of heavy woolen clothing, he was grazing his camels at the top of the mountain. He looked so perfect and so at home in his surroundings that it could have been a hallucination.”

They do, of course, make their way to Ulaanbaatar, where they had made arrangements with UNICEF to visit some of the street children and also a center that has been set up to help them. “The conditions in which these children lived, even in a proper centre, hit me like a sledgehammer. A four-year-old girl was lying on the floor with her head against the wall. Her legs were withered and weak and she was trembling. It broke my heart to see her in such distress, so in need of love and attention, but so alone. I spent quite a lot of time with her, stroking her hair, touching her face and playing peek-a-boo with her. And then we had to leave. I hugged as many of them as I could, said goodbye and got into a car”. (Spoiler alert: I believe that after the trip, McGregor went back to Mongolia, adopted the girl and took her home to England with him, may great blessings be upon him.)

Finally, their journey took them north out of Mongolia and into Russia and Charley observed, “…I’d come to love Mongolia. It had been hell at times (Did I say that this isn’t the easiest place to travel?), but some part of me had actually relished the misery. I’d enjoyed meeting people along the road and I’d been blown away by the helpfulness of complete strangers. We couldn’t have done it without them.”

McGregor noted that “Riding across Mongolia had been incredibly demanding, but it had offered everything I’d been looking for on the trip, a pastoral paradise full of curious, open-hearted people who welcomed me into their homes because I was a passing traveler, not because I was Obi-Wan Kenobi on a bike…It had been like riding through the pages of National Geographic.”

Long Way Round, Atria Books, 2004

———-

If you are interested in learning more about the street children and how they are being helped, visit the website of the Christina Noble Children’s Foundation at www.cncf.org.

——

Next week: More books about the land and people of Mongolia.

Mongolia Monday- Excerpt from My 2006 Trip Journal- Ikh Nartiin Chuluu Nature Reserve

Travelers get attached to a particular place for a variety of reasons. Maybe it was stunningly beautiful or irresistibly peculiar. Maybe it was somewhere they’d wanted to go to since childhood, finally made it and it was everything they’d dreamed of and more. Maybe something special happened while they were there. Maybe they went for one reason and discovered something unanticipated but compelling. The latter probably most applies to why Ikh Nartiin Chuluu Nature Reserve has become one of my most favorite places on the planet.

This seems unlikely to me since I’ve never been a “desert” person. That would have been my mom, who found the area around Hemet, California (the landscape, not the trashy sprawl) quite to her taste. I like my landscapes green. With trees. Preferably redwoods. Like these at Prairie Creek Redwoods State Park, about 30 minutes from our house. I spent my childhood getting to camp out at places like this. Pretty darn lucky, I’d say.

prairie-creek

But Mongolia got to me. Except for the northern part of the country, which is the southern edge of the boreal forest, trees are not what Mongolia is about. It’s the ultimate wide-open-spaces destination. I went to Ikh Nartiin Chuluu for an Earthwatch project and found a place so special that I plan to go back until I can’t travel anymore. I returned in 2006 for a short visit, just a couple of days. Here’s what happened the first day.


October 6, 2006

Woke up and 6:30, out the door in less than 10 minutes to walk down the valley. Too early for good light, but saw a couple of argali dash up the hill from the stream over 100 yds. away so no photos.

ikh-nartiin-chuluu-valley

Valley where research camp is located

ikh-nartiin-chuluu-sunrise-rocks

First sun on the rocks

Came back for 7:30 am breakfast. Baaska (my guide), driver and master’s student still asleep, so headed out on my own about 8:30 am. Found my favorite huge rock! Windy but not cold. No argali or ibex. Stopped to rest and have a snack and realized that not only was the wind getting much stronger, but that the distant rocks were getting hazy with dust, just like when I was out with Rich (Dr. Richard Reading, the Earthwatch project’s Principal Investigator, and I walked back to camp in an on-coming dust storm in 2005 after the team had walked a 4km argali survey). Decided it was time to go directly back to camp since no one knew where I was, just that I would be back at 1pm for lunch. Got out the GPS, punched “Go To” POI #1 (camp) and got back just fine.

ikh-nartiin-chuluu-fav-rock

This rock turned out, from another angle, to be three formations that were overlapping, but I still like it! It’s about the size of an aircraft carrier.

ikh-nartiin-chuluu-nestCinereous vulture nest

Since I’ve never been here at this time of year and there really isn’t anyone to ask until Amgaa gets here or maybe Jed (two of the other scientists), it seemed sensible to play it safe. Maybe after lunch will be a good time to go out in the van and check out the Tibetan writings and see if we can spot any argali. The Mongolians, Baaska, student, driver, ranger are all yakking away in the kitchen ger. I’ve never known people who could sit down together, never having met before and just roll along talking like the Mongolians. It feels from the outside like the continuation of an ageless oral culture which hasn’t been undermined by tv. Yet.

ikh-nartiin-chuluu-skull2Argali skull

I hope this wind dies down. Being out in Ikh Nart again, just me and the rocks was really great.

5:15 pm- Went out in our van with the ranger at 1:30. He needed to do some telemetry and was willing to find inscriptions. We found five, but no luck at all finding the one Rich took me to last time. Saw and photographed a large herd of  ewes with, it looked like, one ram and a smaller group a few minutes later. It has really stayed windy and cold. I’m in the ger with the stove going.

ikh-nartiin-chuluu-inscription

Tibetan inscription

ikh-nartiin-chuluu-argali

Herd of argali sheep

Mongolia Monday- Excerpt From My 2006 Trip Journal; Takhi Watching at Hustai National Park

On my first trip to Mongolia in spring of 2005, I managed to get a couple days at Hustai National Park, enough to know that I wanted to go back when the daytime high was more than 32F with howling wind (ah, early May in Mongolia!). Hustai is the most accessible place to see reintroduced takhi, or Przewalski’s horse. For 2006, I arranged to have the use of a car, driver and guide so that I wasn’t dependent on driving around with other, non-artist visitors.

I needed to be in the park at dawn and at the end of the day in order to get what I’d missed before because of cloud cover- takhi in great light. This excerpt is from my first day.

9-27 10:15 am Wed.

Just got back from the morning “game drive”. Left a little after 7:30 am and got to the valley just in time to catch the light about 8 am. Hit the jackpot, Two takhi just on the shadow side and then coming into the sun.

Takhi Mare and Stallion at sunrise, Hustai National Park
Takhi Mare and Stallion at sunrise, Hustai National Park

Went back up to (the) pass, seeing more takhi and the 2 eco-volunteers from France who I sat with last night. Missed a great shot of a bull marel (a species of elk) because the driver didn’t stop in time. Continued over and down around the backside of what my guide says is called “God Mountain” because all the spire-like piles of rock look like flames of fire. There were takhi at the base of a particularly picturesque part of it and the guide asked me to take her picture. She pointed out another mountain where she said lynx live.

Guide with takhi in front of "God Mountain", Hustai National Park
Guide with takhi in front of "God Mountain", Hustai National Park

We continued on into what she says is called “Happy Valley” and it sure was for me. Came upon 2 groups of takhi, one waterhole. I think the issues were who got to drink first and can I steal some of the other guy’s mares. (There are 3 largish songbirds pitty-pattying around on the top of the ger as I write this entry)

Takhi harems at waterhole, Hustai National Park
Takhi harems at waterhole, Hustai National Park

We entered a part of the valley with trees along one side and it turns out they are saxaul, which I didn’t expect to see until I went south (and it turns out that I hadn’t. Something must have gotten lost in translation, because I found out this last trip that they for sure weren’t saxaul trees). There were also some domestic horses, which the driver got out to shoo away. We circled around out on the grasslands and saw 2 small and 1 large group of gazelle. Final stop was the research center, which was looking pretty sad and almost derelict last time. It’s humming now. Offices for the ec-volunteers, the managers, biologists, ecologists and a kitchen. There’s even curtains on the windows.

So, I’ve gotten my evening light and early morning light. Now it’s just seeing what kind of behavior I can record.

I liked the waterhole setting and plan to eventually do a big painting with both harems that tries to show what I saw that morning. In the meantime, I had this reference from elsewhere in the park of a mare with a beautiful gesture.

Morning Drink oil  12"x16"
Morning Drink oil 12"x16" (price on request)