What? You say. She’s seen them and photographed them. Surely she knows what they look like. Well, in a manner of speaking, I do, of course. I’ve got quite of bit of reference of them from previous sightings and have done a couple of small paintngs. But until this past trip I didn’t really have sharp, close-up reference of ibex in good light and also doing interesting things. Now I do.
I spent three out of my first four mornings at Ikh Nartiin Chuluu Nature Reserve in August taking around 1000 photos of 2-3 groups of nannies, kids and young billies. I’ve done an initial sorting and 5-star rated (in Aperture, my image management software) the ones that caught my eye for possible paintings.
But…I’ve learned when I decide to paint a new species that I’ll be sorry if I just dive in and hit the easel. I first need to “learn what the animal looks like” and to do that I simplify things by doing a number of monochrome sketches and drawings to familiarize myself with their structure, proportions and anatomy, along with looking for interesting behaviors. I pick reference photos that have a strong light and shadow pattern or some kind of interesting, perhaps, challenging, pose. Sometimes I throw in a quick indication of the ground so I can start to think about that, too.
I like doing small, fairly quick pen sketches. For those I use Sakura Micron .01. and .02 pens on whatever sketchbook I have on hand. They give me a basic idea of what I need to know. Then I’ll often do some finished larger graphite drawings on vellum bristol. I also did a couple of iPad drawings using ArtRage, which makes it easy to lay in some color.









