Robert Bateman

Friday Features

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BACKYARD BIRD LIST

Six or so red crossbills are still showing up most days. There was a group of fox sparrows last weekend. Our hummingbird-friendly plants are really starting to bloom. I was sitting here at my desk and look who showed up outside my french doors? I was able to grab the camera and get some shots through the glass. Sometimes lucky is better than good. Looks like a male Allen’s hummingbird to me.

Speaking of hummer plants, here’s my 50 cent, 4″ pot white verbascum that I rescued off an end-of-season sale table the year before last. Is that a happy plant or what? I’m going to have to move the poor little heather underneath it before it’s completely smothered. Or I may move the verbascum to a more spacious location. I didn’t think it would get quite this big.

ART TALK

I finished the bighorn painting and took it to the framer only a little wet in a few areas. When it was laying on the counter, I saw a spot in the sky I missed, which I’ll fix when I get it back. But it reminded me of one of my favorite artist stories:

Every year the Royal Academy in London has its Summer Exhibition. We were lucky to be in England and able to attend some years ago. The galleries looked like in old photos you see: work stacked from the floor to the very high ceilings. Those whose paintings ended up in “nosebleed” country called it “being skied”.

William Mallord Turner (b. 1755 d. 1851) was a regular participant, although his work mystified many of his comtemporaries and the general public. “Varnishing Days” were the three to five days before the exhibition opened when the artists could come in and put on a final varnish or touch up their paintings. Turner became somewhat famous for this and is said to have deliberately brought in unfinished paintings so that he could show off his technique. Imagine any of us doing that today? It would be like Robert Bateman showing up at the opening of his current retrospective, palette, brushes and paint in hand to add a few more snowflakes to his famous snow leopard painting. Turner showed up dressed for town and S.W. Parrott was inspired to create this permanent record, which is reproduced here in black and white. How do you dress when you’re in the studio?

PLANET SAVER TIP FOR THE DAY

Speaking of Robert Bateman, besides creating a lot of the best wildlife art of this or any other century, he is a tenacious advocate for the environment. You can read what he has to say at www.batemanideas.com

ART THOUGHT FOR THE DAY

If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.

Thoreau

Back home and in the studio

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Got back from my trip last Thursday evening with no more than what is the usual nonsense when one flies these days. Plane was late getting to Denver, so we were late leaving Denver, which meant I missed my 4:12 connection in San Francisco. On the bright side, the airline automatically rebooked me on the next flight home at 6:30, which was good since the last flight out didn’t leave until, ouch, 11:30pm.

ANIMAL NEWS

We have a canine guest right now, a 3.5 year old male German Shepherd rescued from a seriously rotten situation. I’m doing the emergency foster while a ride is lined up to get him to his long-term foster. He’s spent the last four months with people who didn’t “like” him, so he was kept inside and forced to do his business in a room. He’s got what looks like flea allergy dermatitis. Very thin fur on his back end and tail. Also very scared at first, but totally unaggressive.

We have him on a long cable tie-down on the patio so he can have peace and quiet, but start to get used to a normal environment not filled with screaming and craziness. He’s unneutered, but very submissive. Ignores the cats. Associates collars and having his neck reached for with something negative, but isn’t head shy. Niki is modeling calm, balanced behavior and setting boundaries for their interactions, so he’s my partner in helping get the poor guy back on an even keel. He’ll be a fantastic family companion once he’s had time in a stable environment and gets his confidence back.

I guess the moral is, if you really don’t want an animal, don’t just ignore it and stop caring for it, do what it takes to get them to a place where they have a chance to get a new home where they will get the love they deserve. Sheeh, is that so hard?

ART TALK

I had a great time sketching and photographing at the Denver Zoo, along with getting to see the Robert Bateman show at The Wildlife Experience. There were so many of his iconic images- the snow leopard sitting on a cliff as snow swirls around, the orca amongst the kelp, the storks at dusk with the shimmering band of gold water, plus some of his early abstracts. He is the living master in wildlife art when it comes to design/composition and the sheer beauty of his painting. Very, very inspirational. If you are in the Denver area and you want to see the best in animal art, see his show.

There was also a small room with paintings of African subjects and I was tickled to quickly realize that I had at least met, if not studied, with all of the artists: John Seerey-Lester, John Banovich, Simon Combes and Daniel Smith. I think I feel a lion painting coming on!

In the meantime, here are some of my sketches from the Denver Zoo. Most of them took less than three minutes, if that, so no time to doodle around. First I try to capture the gesture of their pose or movement, then add things like eyes and fur texture. Last is value, Sometimes I end up adding the modeling and “color” while I’m having lunch. The lions were very fit for zoo cats, but I’ll still “tighten” them up by referring to lions I photographed in Kenya.

The horses are my beloved takhi, of which three were out when I was there. I had seen domestic yaks, but these were the first wild yaks. They manage ok in The Mile High City, but in their native (shrinking) habitat, they thrive at 15,000 feet plus.