Recent Pen And Ink Work

“Little Owl, Mongolia” 6×4″ pen and ink on paper

As I did last year, I’ve donated two pen and ink originals for the Explorers Club Annual Dinner auction. This year I decided to do birds that I’ve watched and photographed in Mongolia.
I’ve seen little owls a number of times in a variety of locations…perched on a herder’s storage box near the shore of Orog Nuur, a remote lake in the Gobi, peeking out from behind a rock at Ikh Nartiin Chuluu Nature Reserve and a number of them sitting out by their burrows, which they’d dug into the ruined ramparts of an ancient Turkic settlement, Khar Balgas. Unlike the owls most of us are familiar with in every case it was full daylight.

“Hoopoe, Mongolia” 6×4″ pen and ink on paper

Hoopoes have a very large range…from Mongolia to Africa to Europe. I have found them to be one of the most challenging birds to get decent photos of. It’s almost like they tease you, letting you get…almost…there and then flying off to the next tree. But persistence has paid off at Ikh Nartiin Chuluu Nature Reserve in the valley where the research camp is located. My subject was one of a family group of three I spotted up on the top of the rocks in the late afternoon. I was able to approach just close enough by working my way towards them behind large rocks at the edge of the valley floor to get a number of photos with my 80-400 lens at maximum range.

Good Advice for Wildlife Artists

Personally, I have found that learning from good teachers is a great time-saver. What could take years of trial and error can maybe be addressed in an hour and then you get to move on to the next challenge.

In that spirit of benefiting from those who have gone before, here’s some thoughts about the making of wildlife art that I find worthwhile, illustrated with a few of the reference photos I’ve shot through the years.

KEN CARLSON:

“One of the challenges of painting a number of animals, particularly pronghorns, is to design an interesting grouping. What I try to achieve is an appealing overall shape; an uncontrived, natural look to the grouping…”

National Bison Reserve pronghorns; this one has possibilities
National Bison Reserve pronghorns; this has possibilities, but the "grouping" needs a lot of work

BOB KUHN:

“…the need to convey those gestures, poses and attitudes that spell out the character unique to the animal.”

Lake Nakuru cape buffalo; typical "I dare you"
Lake Nakuru cape buffalo; typical "I dare you". The painting I used this reference for will be on my website by the end of November

GUY COHOLEACH:

“You look into the eyes of a leopard in a zoo, and sure, you can get a lot out of them. But look into the eyes of a lion 30 feet away from you, when you’re standing right in front of him with no rifle, and let me tell you, they look a lot different. They do.”

Masai Mara lion; I was in a car, but still...
Masai Mara lion; I was in a car, but still...(Actually, he's flamen. There was a more dominant lion nearby who was with a lioness.)

NICHOLAS HAMMOND author of Modern Wildlife Painting:

“The best of modern wildlife painters show us the mystery and death, memory and beauty and what is to be learned, or lamented, loved or wept for.”

And it helps to have an assistant
And it helps to have an assistant

Happy Hallowe’en!

And Samhain, too!
And Samhain, too!