“The Annuciation”, Hans Memling, 1465-75, oil on wood
I spent most of a day at the Met during my recent trip to New York for the Explorers Club 113th Annual Dinner (I’m a Fellow of the Club). I’m working on an idea for a painting that involves drapery folds, something I haven’t done much since art school. I realized that I had a golden opportunity to learn from the best by taking drapery detail shots that I can study and, if I want, do studies from. I also did a few sketches, but it was Saturday and I couldn’t stand too long in front of anything. It was really interesting to focus on one pictorial element and see how different artists of the past solved the problem. Here are some examples. I’ve identified the painting and the artist. You can see the entire work on the Met site. I’d also like to note that the Met recently digitized and made available for use without restriction images of over 400,000 works in their collections.
(Photos taken with a iPhone 5S, which did a pretty good job all in all)
“The Annunciation” by Hans Memling, 1465-75, oil on wood“Portrait of a Man” by Frans Hals, 1636-38, oil on canvas“The Supper at Emaus” by Velasquez, 1622-23, oil on canvas“The Supper at Emaus” by Velasquex, 1622-23, oil on canvas“The Fortune Teller” by Georges de La Tour, prob. 1630s, oil on canvas“Self-portrait with Two Pupils…” by Adelaide Labille Guiard, 1785, oil on canvas“The Death of Socrates” by Jacques Louis David, 1787, oil on canvas“Ada Rehan” by John singer Sargent, 1894-95, oil on canvasDetail- the dark areas are single strokes put over the lighter areas; just kill me now“Madame X” by John Singer Sargent, 1883-84, oil on canvas“Mrs. Hugh Hammersley” by John Singer Sargent, 1892, oil on canvas“The Wyndham Sisters…” by John Singer Sargent, 1899, oil on canvas“King Lear, Act 1, Scene 1” by Edwin Austin Abbey, 1898, oil on canvas“King Lear, Act 1, Scene 1” by Edwin Austin Abbey, 1898, oil on canvas