In between trying to get a number of paintings done, I’ve spent one full day of each of the last two weekends importing my images into Aperture, the digital photo manager that I had pre-installed on the iMac. I think I’m almost halfway there. All of Kenya 2004, Mongolia 2005 and 2006, two trips to Wyoming and one to Montana are in, plus some personal stuff and photos of paintings. The two trips to Mongolia come to 5,792 total. Kenya 2004, the art workshop safari with Simon Combes and nine other artists, totals 5,116. Wyoming, which includes Yellowstone, the Grand Tetons, the areas around Jackson and Dubois totals 3,824. Can you imagine how much paper and ink it would have needed if those had been prints? Or plastic, paper and ink if they were slides? And how much shelf space I’d need. So far, it’s all on the iMac’s hard drive, which will be backed up to our Buffalo Terastations.
Digital is by far the most environmentally friendly way to acquire and store images and music. I’m ready for movie downloads to our tv anytime now.
Aperture’s image organization system is based on projects, albums and folders. Half the battle was understanding how I would want to find things well enough to set up the essential system before I started importing. I finally went with projects based on location. Images can only be in one project, but can be in multiple albums. So, I’ve done the initial imports into country projects that have specific location albums in them. Therefore, the Mongolia project has albums for Hustai National Park 2005, Hustai National Park, 2006, Khomiin Tal 2006 and so on. I had realized when I was still working with IMatch on the PC that I needed to be able to not only go to a specific location, but also when I’d been there, so this time every location name also includes the year. The next step will be to copy all the animals into specific species albums, along with various landscape features like rocks and trees, time of day like sunsets, and weather features like clouds. Everything will be batch keyworded and have appropriate metadata added. Maybe by the end of baseball season.
Marmot at National Museum of Wildlife Art (He’s real.)
I bought an after-market book on Aperture with a DVD tutorial that I’m working my way through. I got a handle on importing and dove in because my images look so completely stunning on the glossy 24″ iMac monitor that I needed to start working from it immediately. I’ve been cruising through a bunch of my photos this afternoon, especially all my argali reference from Mongolia, and I can honestly say that for the first time I can really see what my 6mb Nikon D70’s can do. Wow.
Local herder and I at Ikh Nartiin Chuluu Nature Reserve, Mongolia
My paintings are going to take a big step forward. John Banovich, who I was fortunate enough to have a workshop with, told us that “you are only as good as your reference”. That is so, so true. I can’t even believe that I ever thought that 4×6 or even 5×7 prints would give me a good result. I now have the equivalent of huge transparencies that I can work from in daylight.
Hope to post some new paintings by late next week. Heading down to San Francisco for the weekend and taking along a blue heeler from the shelter who needs to go to rescue. Next entry I’ll tell the story of my first transport two weeks ago. Super short version-four dogs, ten hours driving.