TBT- On Thursday mornings I’ll be giving you a look at art I’ve created over the past twenty years. Today…”A Grand Morning” oil from 2007. A different part of the Grand Tetons in the fall. It’s currently hanging on the wall in our dining area.
I got back home at midnight last Saturday from two days in Grand Tetons National Park and five days at the 15th Annual Susan K. Black Foundation workshop. Both were a resounding success. You can read about my time in the park here. This post is about the workshop, which I’ve attended four times in the past and plan to go to next year.
All the previous instructors had been invited and almost all of them where there, including nationally known artists like James Gurney, John and Suzie Seerey-Lester, Greg Beecham, Mort Solberg, David Rankin, Jeanne Mackenzie, Andrew Denman, Guy Combes, Ann Trusty Hulsey and John Hulsey, all of whom I know personally or have studied with or both.
One of the main events is the Quick Draw, a traditional name but almost every artist at this workshop did paintings. Here’s some photos of the event in action. It’s followed by sketches and watercolors that I did in the Grand Tetons and EA Ranch.
The weather was partly cloudy while I drove around Grand Tetons NP, which meant interesting light that could change very quickly. The aspens and cottonwoods were turning to their fall colors, too. All in all a perfect time to be there.
Both of the first ones were painted over the course of a couple of hours along the Moose Wilson Road.
I flew to Jackson Hole, Wyoming last Wednesday and spent a few days cruising the art galleries, the annual auction art and a stop at the National Museum of Wildlife Art. Also had time to do some wildlife watching and location sketching and painting. I drove east to Dubois yesterday afternoon and had dinner with an artist friend and colleague who lives on a ranch.
I’m going to try to post something every day of the workshop, which begins this afternoon and runs through next Saturday morning. There are instructors and artists here from all over the country, including James Gurney of Dinotopia fame. He was the featured artist the year before last, when I also attended.
Here’s some photos from the wildlife watching in Grand Tetons National Park:
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I photographed this simple, but colorful scene on a trip to Grand Tetons National Park.
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A few of you may remember that I was posting images of an elk painting in progress. I’m sure the suspense has been killing you. As it happens, it was a bust. Too many problems with the drawing of the elk that I saw after I’d let it sit awhile. Win some, lose some.
But here are two that are well on the way-
First is a bobcat I photographed at the Triple D Game Ranch and transferred to a more interesting setting that I shot on the Firehole River in Yellowstone. The trick, of course, is to make the light match when the reference is from two different locations, like Montana vs. Wyoming. However, both are morning light.
The second is Mt. Moran at Grand Tetons National Park with the famous Oxbow of the Snake River in the foreground. I’ve got three pieces of reference up for this one. One is overexposed for the mountains, but has the compositional angle I want and great reflections. The other two have rich color and show more detail of the mountain. For this subject, as I learned from a workshop I took a few years ago with Jim Wilcox, one has to introduce some atmospheric perspective in order for the painting to “read” correctly. The air is soooo clear that the Tetons look to be a few hundred yards away, but actually they are around 10-12 miles from the major vantage points along the road. So, getting the value relationships right is critical. And so is being decisive and accurate in the drawing of the mountain. It’s really a portrait in rock. Stay tuned.
ART THOUGHT FOR THE DAY
I see a flower. It gives me the sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject-flower-changed. It is now an art problem to resolve.