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On “location’ at home the first day of the Humboldt Paintout with Peregrin

Most art shows have gone virtual due to Covid-19 but they’re still happening! I recently rejoined our local Redwood Art Association in time to enter the 2nd annual Humboldt Paint Out with was held from September 29- October 3, Monday through Saturday. The sticky part was that, due to a wildfire to the east of us it was smoky for the entire time (three out of four weeks total). Time to “make lemonade”. I was intending to head out and see what, if anything, I could find as a subject but saw the sun rising above the evergreens to the east of us and decided I’d try to capture that. Grabbed my painting gear walked three feet from my studio, set up and got to it. I had already decided to paint in gouache (opaque watercolor) which I’ve used on and off for decades. Here’s the result:

“Smoke Light”

That same day I painted “Smoke” from the same spot trying to capture the visual texture and color of it. So instead of just photos I have some of it recorded in paint.

“Smoke”

The next few days were really bad and we didn’t want to be outside at all unless absolutely necessary. But Friday, Oct. 2, rolled around and I decided to hit the road and head north. My original idea had been to do one painting at each of the lagoons- Dry Lagoon, Big Lagoon, Freshwater Lagoon, Stone Lagoon and I hoped that maybe some or all of them, being right by the ocean, might be clear enough to be ok. Alas, it wasn’t smoke but heavy fog that put paid to that idea. I’d also wanted to paint at Prairie Creek State Park, which is also part of Redwood National Park, so I went on north with fingers crossed. And when I got to Orick, not far to the south, SUNSHINE! And, although it was hazy, it the air was ok enough to set up and paint a scene of the namesake prairie. I’d taken one of our collies, Hailey, with me and she happily settled down at the base of my easel for the duration. In fact, she got a little stubborn when it was time to leave.

“Hazy Morning, Prairie Creek”

By the time I was done the smoke was starting to thicken so home I went back into fog and smoke.
At this point I decided to stay home and finish up the event at our house and in our own neighborhood. When we bought the acre we built our house on there were almost no trees left from when the previous owner had it logged. But there was one special tree, a very old alder. I created the basic floor plan for our house and put the window over the sink such that it framed it. It was challenging to paint in the shifting smoke light but I finally felt I’d captured it. I’d been wanting to do this big old bole for years and had only managed a couple of sketches. I did it in the afternoon after I got returned.

“Our Old Alder, Smoke Light”

One more day to go and, of course, it was smoky at first. On the road one takes before turning onto our street one of the properties to the north has a few very tall old pine trees, probably what’s left from a windbreak. After lunch the wind must have changed because suddenly we had clear blue skies! So I loaded up my painting gear and drove the whole couple of minutes or so to the corner where I could set up under some very old cypress trees. I work pretty fast. One of the things I like about gouache is that it dries fast so one layer colors quickly. Which was good because I had about ten minutes to go and back came the smoke. I’d taken photos when I gotten there so was able to get the last bits done in the studio (which is NOT cheating). I did have fun playing with color temperature.

“Neighborhood Pines”

On deadline day, Saturday the third, I scanned all of them, made necessary adjustments so they would be as accurate as possible and submitted them. And then waited, as we do when entering shows. The juror was Randall Sexton, a very accomplished artist who lives in the San Francisco Bay Area. Since I’m not really a plein painter like those who do it as their main art activity I didn’t think much about getting an award. For me it was more about getting involved again in the local art scene and getting started doing location work in gouache. But…to my surprise and pleasure “Our Old Alder, Smoke Light” took 5th place! The reward was a check for $200, a $100 gift certificate from our local frame shop and another gift certificate from a local spa for a massage! I loved that the judge liked the one that is the most special to me.

And wait, there’s more! I also enter the RAA’s “Halloween” show. Once again I used it as a springboard to try out something new, a combination of pen and ink and watercolor. Once again my purpose was to have fun participating. Scott W. Prior, nationally known painter, was the juror and he picked “Quoth, The Raven” for an Award of Merit”!

“Quoth, The Raven” pen and ink, watercolor on hot press illustration board

So that’s what I’ve been up to for the last month or so. I’m currently working on a set of three oil paintings for a Nov. 13 deadline. In my last post I showed the value and color studies for them. I’ll post a full step by step when they’re done.


Sheltering in Place, Part 7

Hot off the drawing board! “Warthog”

More about the warthog in a moment, but first some good Covid-19 news. As of this past Saturday there were no new cases in Humboldt County for four days in a row! I don’t think any of us expect this to last, but it suggests that by following the shelter in place order for the past three weeks, we’re at least flattening the curve. There was no update on Sunday but there should be one today after 4pm. I’ve seen estimates now of a five or fourteen day incubation period, so we’ll see. In the meantime we’ve got plenty to do around the house and property and it’s sunny!

Now on to the warthog. During an art workshop safari I went on in October 2004, with the late Simon Combes, one of the places we went to was Lewa Downs Conservancy. The lodge was on a hilltop with a great view. We were watching Simon do a plein air demo and then set up to do our own. This warthog walked right in front of us less than 20′ away and stopped. I got some great photos, including this one.

My model

This week’s Inktober52 prompt is “Red”. I don’t have any “red” ink as it turns out (that will be remedied, I hope, on Friday when my order of Dr. PH Martin’s Bombay inks arrive). But I did have a small sample container of Noodler’s Ink Burgundy and that’s what I used, as seen above. The nib this time was a Hunt 22, a good sturdy drawing nib. I started out by doing a graphite drawing. This solves all the drawing and value problems first so on the final drawing I can focus on the penwork.

Graphite on Strathmore 300 vellum bristol

I overlaid the drawing with a piece of Clearprint Heavy Vellum. It worked well but I prefer to do pen and ink work on paper so experimentation will continue.

In other news, I belong to a Facebook group called Sunday Paintout, which meets around 10am on, well, Sunday mornings every week. It’s not the best day for me but I participate when I can. Because of Covid-19, the paintouts are happening virtually. Members are going out on their own on Sunday morning and posting images of the art they’ve done and maybe the location they went to. Our ornamental cherry trees are in full bloom and I’ve had the itch to paint them so yesterday morning I got out my watercolors for the first time in ages and did this quick sketch. I used Winsor Newton watercolors on Saunders Waterford 140lb coldpress paper. It’s 8×8″.

Location Watercolors In My Own Backyard

My portable watercolor kit.

Spring has sprung so I’ve gotten out the past few days to paint and sketch in our garden. I use a Yarka full-pan set of paints, a variety of brushes and either a 9×12″ Arches cold press block or 8×8″ pieces of Sanders Waterford cold press taped to a piece of foamcore with taped edges.

The south side of what we call “The Long Border”

I really wanted to do the lilacs before they faded, so I focused on them.

First washes

I got so involved in what I was doing that I forgot to take any other step photos of this first one. My goal was to limber up for the painting season and catch the lilacs against the dark green of the English laurel behind it. I stayed with really simple shapes working, as one does with watercolor, from light to dark.

I then went around to the other side to do a close-in version of the lilacs.


I kept it loose, starting, as before, with a light pencil drawing and then laying in the lightest areas of color.

As you can see I treated the lilacs as simple shapes, not getting into painting individual flowers. I also paid attention to color temperature, starting warm in the lightest area and going cooler in the shadows.

All in all, I’m pretty happy with the way they came out. The roses are just getting started so stay tuned…