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On “location’ at home the first day of the Humboldt Paintout with Peregrin

Most art shows have gone virtual due to Covid-19 but they’re still happening! I recently rejoined our local Redwood Art Association in time to enter the 2nd annual Humboldt Paint Out with was held from September 29- October 3, Monday through Saturday. The sticky part was that, due to a wildfire to the east of us it was smoky for the entire time (three out of four weeks total). Time to “make lemonade”. I was intending to head out and see what, if anything, I could find as a subject but saw the sun rising above the evergreens to the east of us and decided I’d try to capture that. Grabbed my painting gear walked three feet from my studio, set up and got to it. I had already decided to paint in gouache (opaque watercolor) which I’ve used on and off for decades. Here’s the result:

“Smoke Light”

That same day I painted “Smoke” from the same spot trying to capture the visual texture and color of it. So instead of just photos I have some of it recorded in paint.

“Smoke”

The next few days were really bad and we didn’t want to be outside at all unless absolutely necessary. But Friday, Oct. 2, rolled around and I decided to hit the road and head north. My original idea had been to do one painting at each of the lagoons- Dry Lagoon, Big Lagoon, Freshwater Lagoon, Stone Lagoon and I hoped that maybe some or all of them, being right by the ocean, might be clear enough to be ok. Alas, it wasn’t smoke but heavy fog that put paid to that idea. I’d also wanted to paint at Prairie Creek State Park, which is also part of Redwood National Park, so I went on north with fingers crossed. And when I got to Orick, not far to the south, SUNSHINE! And, although it was hazy, it the air was ok enough to set up and paint a scene of the namesake prairie. I’d taken one of our collies, Hailey, with me and she happily settled down at the base of my easel for the duration. In fact, she got a little stubborn when it was time to leave.

“Hazy Morning, Prairie Creek”

By the time I was done the smoke was starting to thicken so home I went back into fog and smoke.
At this point I decided to stay home and finish up the event at our house and in our own neighborhood. When we bought the acre we built our house on there were almost no trees left from when the previous owner had it logged. But there was one special tree, a very old alder. I created the basic floor plan for our house and put the window over the sink such that it framed it. It was challenging to paint in the shifting smoke light but I finally felt I’d captured it. I’d been wanting to do this big old bole for years and had only managed a couple of sketches. I did it in the afternoon after I got returned.

“Our Old Alder, Smoke Light”

One more day to go and, of course, it was smoky at first. On the road one takes before turning onto our street one of the properties to the north has a few very tall old pine trees, probably what’s left from a windbreak. After lunch the wind must have changed because suddenly we had clear blue skies! So I loaded up my painting gear and drove the whole couple of minutes or so to the corner where I could set up under some very old cypress trees. I work pretty fast. One of the things I like about gouache is that it dries fast so one layer colors quickly. Which was good because I had about ten minutes to go and back came the smoke. I’d taken photos when I gotten there so was able to get the last bits done in the studio (which is NOT cheating). I did have fun playing with color temperature.

“Neighborhood Pines”

On deadline day, Saturday the third, I scanned all of them, made necessary adjustments so they would be as accurate as possible and submitted them. And then waited, as we do when entering shows. The juror was Randall Sexton, a very accomplished artist who lives in the San Francisco Bay Area. Since I’m not really a plein painter like those who do it as their main art activity I didn’t think much about getting an award. For me it was more about getting involved again in the local art scene and getting started doing location work in gouache. But…to my surprise and pleasure “Our Old Alder, Smoke Light” took 5th place! The reward was a check for $200, a $100 gift certificate from our local frame shop and another gift certificate from a local spa for a massage! I loved that the judge liked the one that is the most special to me.

And wait, there’s more! I also enter the RAA’s “Halloween” show. Once again I used it as a springboard to try out something new, a combination of pen and ink and watercolor. Once again my purpose was to have fun participating. Scott W. Prior, nationally known painter, was the juror and he picked “Quoth, The Raven” for an Award of Merit”!

“Quoth, The Raven” pen and ink, watercolor on hot press illustration board

So that’s what I’ve been up to for the last month or so. I’m currently working on a set of three oil paintings for a Nov. 13 deadline. In my last post I showed the value and color studies for them. I’ll post a full step by step when they’re done.


Sheltering in Place, Part 11

#locationdrawingathome 3- 0.1 Copic Multiliner, Derwent Watercolour pencils

We had a spike COVID-19 in cases over the past week or so, sixteen new ones since the 12th for a total of 88 as of today. Also two deaths, the first ones. There’s a serious outbreak at a local care home, both patients and staff, which is very unfortunate but at least can be isolated. Most of the others are connected to known cases or are “travel-aquired” but no details. Most of the rest are connected to known cases, plus some community transmission.

I went to our local coop for groceries yesterday. All the right things are being done. Masks required. Number of people allowed in store is controlled. People either kept moving or observed social distancing, except for the woman at the meat counter that walked up right between myself and a man who were the right distance apart. I said “Excuse me, this is less than 6′.” She got bit huffy but did move. Otherwise, it was all fine. Employees are taking care of getting products out of the bulk bins. Six feet of spacing at the check-out counter. Plexiglass between cashiers and customers.

Going into the Memorial Day weekend and we’ll be working in the yard ands garden and maybe going for a drive to a place where we and the collies can safely walk. It’s supposed to get quite warm next week, at least “warm” for us, into the mid-high 60s.

#locationdrawingathome 1- Platinum Preppy fountain pen, Koh-i-Noor gouache

In art news, I’ve found a new, fun thing to do! It showed up in Feedly, which is what I use for a news feed. I follow a bunch of art blogs and sites that way. One called Apple-Pine described how she does small quick “location” sketches using a site called Mapcrunch, which can show endless random images from all over the world. Today’s effort is at the top of the post. Above this paragraph is the first one, a road in Russia. Below is the second one. A scene from Holland. Here’s the link to her page about it.

All it takes is some paper and pencils, pens or something for color…watercolors, felt tip pens whatever you want.

#locationdrawsingathome 2- Pilot Kakuno fountain pen, Prismacolor pencils

It’s been quite windy yesterday and today, so not much done in the garden. However, we did have this lovely visitor a couple of days ago…a black-crowned night heron.

And there are LOTS of tadpoles in the “frog pond” a small separate shallow pond off the main, big pond.

Finally for now, I’ve never been a big bearded iris fan, but I think that’s going to change. I always like the bicolor ones as a kid and decided to get ‘Sunset Sky’ and ‘Mother Earth. I plan to do sketches and watercolors of both of them.

‘Sunset Sky’
‘Mother Earth’

Sheltering in Place, Part 7

Hot off the drawing board! “Warthog”

More about the warthog in a moment, but first some good Covid-19 news. As of this past Saturday there were no new cases in Humboldt County for four days in a row! I don’t think any of us expect this to last, but it suggests that by following the shelter in place order for the past three weeks, we’re at least flattening the curve. There was no update on Sunday but there should be one today after 4pm. I’ve seen estimates now of a five or fourteen day incubation period, so we’ll see. In the meantime we’ve got plenty to do around the house and property and it’s sunny!

Now on to the warthog. During an art workshop safari I went on in October 2004, with the late Simon Combes, one of the places we went to was Lewa Downs Conservancy. The lodge was on a hilltop with a great view. We were watching Simon do a plein air demo and then set up to do our own. This warthog walked right in front of us less than 20′ away and stopped. I got some great photos, including this one.

My model

This week’s Inktober52 prompt is “Red”. I don’t have any “red” ink as it turns out (that will be remedied, I hope, on Friday when my order of Dr. PH Martin’s Bombay inks arrive). But I did have a small sample container of Noodler’s Ink Burgundy and that’s what I used, as seen above. The nib this time was a Hunt 22, a good sturdy drawing nib. I started out by doing a graphite drawing. This solves all the drawing and value problems first so on the final drawing I can focus on the penwork.

Graphite on Strathmore 300 vellum bristol

I overlaid the drawing with a piece of Clearprint Heavy Vellum. It worked well but I prefer to do pen and ink work on paper so experimentation will continue.

In other news, I belong to a Facebook group called Sunday Paintout, which meets around 10am on, well, Sunday mornings every week. It’s not the best day for me but I participate when I can. Because of Covid-19, the paintouts are happening virtually. Members are going out on their own on Sunday morning and posting images of the art they’ve done and maybe the location they went to. Our ornamental cherry trees are in full bloom and I’ve had the itch to paint them so yesterday morning I got out my watercolors for the first time in ages and did this quick sketch. I used Winsor Newton watercolors on Saunders Waterford 140lb coldpress paper. It’s 8×8″.

Looking For A Special Gift?

“Cheetah”

Is there an animal lover in your life? Valentine’s Day is only a couple of weeks away. Consider the gift of art. I have a nice variety of affordable original oil paintings in my Fox Studio Etsy shop!

“How Now Red Cow”

I’ll be posting new work next week, so be sure to check back. Prompt free shipping.

“Bufflehead”

Visit my Fox Studio Etsy shop here!

Recent Pen And Ink Work

“Little Owl, Mongolia” 6×4″ pen and ink on paper

As I did last year, I’ve donated two pen and ink originals for the Explorers Club Annual Dinner auction. This year I decided to do birds that I’ve watched and photographed in Mongolia.
I’ve seen little owls a number of times in a variety of locations…perched on a herder’s storage box near the shore of Orog Nuur, a remote lake in the Gobi, peeking out from behind a rock at Ikh Nartiin Chuluu Nature Reserve and a number of them sitting out by their burrows, which they’d dug into the ruined ramparts of an ancient Turkic settlement, Khar Balgas. Unlike the owls most of us are familiar with in every case it was full daylight.

“Hoopoe, Mongolia” 6×4″ pen and ink on paper

Hoopoes have a very large range…from Mongolia to Africa to Europe. I have found them to be one of the most challenging birds to get decent photos of. It’s almost like they tease you, letting you get…almost…there and then flying off to the next tree. But persistence has paid off at Ikh Nartiin Chuluu Nature Reserve in the valley where the research camp is located. My subject was one of a family group of three I spotted up on the top of the rocks in the late afternoon. I was able to approach just close enough by working my way towards them behind large rocks at the edge of the valley floor to get a number of photos with my 80-400 lens at maximum range.

In The Studio: Holiday Art Sale!

Catching the Morning Light
“Catching the Morning Light” oil 9×12″ $300

I’ll be offering a nice selection of small oil paintings, watercolors and drawings at my Sequoia Park Zoo “Art and Conservation in the Land of Blue Skies” lecture next Wednesday, December 13. Here’s a preview, but all are available right now. Please contact me through my website Contact and Purchase Information Page to buy. First come, first serve by time of posting.

These are special prices good only until midnight December 31. They are all unframed one-of-a-kind originals. Satisfaction guaranteed. Return within two weeks for a full refund. Sales tax and shipping within the United States included.

These are all subjects from Mongolia.

Mongolia rain storm
“Summer Storm, Mongolia” oil 12×12″ $500

Yak
“Yak” oil 5×7″ $95

petroglyphs
“Petroglyphs, Ikh Nartiin Chuluu” oil 12×12″  $500

ruddy shelduck
“Ruddy Shelduck” oil 12×12″ $500

scratch that itch
“Scratch That Itch” oil 10z12″ $650

white-napped cranes
“White-napped Cranes, Gun-Galuut Nature Reserve” oil 14×10″ $675

In The Studio: Cat Art For Sale!

DSC_3282
 SOLD! “Sleeping Cat” watercolor 6×9″  $30

I had a lot of fun a couple of months ago doing a series of cats in watercolors for a local show of cat art. On the opening night there were kittens available and four were adopted! There were also sales! But I still have some of my pieces left and am offering them for sale right here and now. So consider giving one or more of them a good home. :0)

All of them are done in transparent watercolor on Waterford paper and are unframed.

Saber-toothed Cat
“Sabertooth Cat” watercolor 7×9″ $35

In order to purchase, please leave a comment saying “Sold!” and saying which one(s) you want. First come, first serve.

Sun Cat
“Sun Cat”  watercolor 6×9″ $30

I really had fun getting crazy with color, letting it run and spread as it wanted to.

DSC_3309
“Lazy Cat” watercolor 5×6″  $20 (had a terrible time processing this one for some reason, but it’s on the same white paper as the others

DSC_3265
“Watching Cat” watercolor 7×10″  $35

DSC_3253
“Snoozing Cat” watercolor 6×9″  $30

Once again, to purchase please leave a comment telling me which piece or pieces you want. First come, first serve. Payment by Paypal only. Sales price includes sales tax where applicable and mailing.

Thanks for your interest!

 

In The Studio: Starting Three New Small Works Of Mongol Race Horses

Mongol racehorse #1

I’ve started a series of three small paintings of Mongolian race horses and thought I’d share the step-by-step of doing more than one painting at a time. First up was to choose my reference photos, picking three heads that would work together in a group.

naadam race

I generally never post my reference images on the internet for obvious reasons, but in this case I wanted to show you the kind of photos I have to work with. The one above was taken at an aimag (province/state) naadam a couple of years ago. I was able to go out in the chase car for two races, so had a rare opportunity to shoot both stills and video not only as the jockeys, horses and trainers rode out to the starting point, but to travel parallel to the riders as they raced back. Looking through the many hundreds of race photos I’ve taken over the years I found a quite visible difference, which makes sense, in how fast the horses ran in the first part of the race and how much they’d slowed down by the last third or so. This really affected leg position and sense of the effort on the horse’s part as expressed in the body language.

But for this set of three I only wanted the heads, so was looking for variety in coloring, angle and generally interesting shapes of light and shadow. I started with drawings, thinking in terms of “notan” the Japanese method of simplifying an image down to two values….light and dark or light side/shadow side. I was also working on capturing the expression, the bridle and some of the shapes in the manes.

Mongol racehorse #2

I had originally intended to include the rider’s hands and legs in the frame, but those shapes seemed distracting, especially cut off at the edges, so right now my plan is to leave them out. But that could change…

Mongol racehorse #3

The top two pieces will be 8×8″. The one above will be 8×10″. So an arrangement of two squares with a rectangle between them.

The next step was to scan the drawings and project them onto the pre-toned canvas panels, sketching each one lightly with a pencil.

MR 1

The panels were toned with Winsor Newton raw sienna. I indicated all the shadow shapes with a mix of that and a little Winsor Newton violet dioxazine, which creates a warm brown tone that is still related to the background tone.

MR 2 (1).jpg

I scanned the panels with my Epson XP-830 printer/scanner/copier and then imported them into Photos for cropping, color correction and any other adjustments. This works pretty well for small pieces that I want to post to my blog or other social media.

MR 3.jpg

I like working this way because it gives me a lot of control over how much detail I add and where. I also like to leave “lost and found” shapes. What is important to me, though, is accuracy of both the horses and their tack, not detail per se. For me the game is to see how much I can simplify and leave out.