Animal Expression, Part 1

IMHO, there is too much animal art out there in which the subject has about as much life as a department store manequin. Why is this? Is it a lingering result of Descartes’ pernicious idea of animals as “mere machines, incapable of thought or feeling” (Pollan, The Omnivore’s Dilemma)? Being so concerned with surface features that the inner life of the animal is ignored? Not doing the fieldwork and observation which would reveal that inner life? I could make a case for any and all of those reasons, but the fact remains that there are an awful lot of “dead” animals on canvas out there.

Pronghorn doe

Pronghorn doe

Internationally known wildlife artist John Banovich, who I have been fortunate enough to study with, pointed out in one workshop a few years ago that “you are only as good as your reference”. Since then I’ve realized how true that is. I look back through the print photos that I took before I went digital and it’s so obvious why I couldn’t get my work past a certain level. I didn’t have top-notch reference. I struggled to paint with what I had because I wanted to do it so badly.

African Wild Dog

African Wild Dog

Digital photography has been a godsend since it has always been necessary, as any professional photographer knows, to take 20, 50 or 100 shots to get the keeper. Now there’s no excuse not to fire away and greatly increase the chances that you’ll get the shot that will allow you to do the painting that will be ALIVE. Here’s an example: two images of a cheetah, taken 3 seconds apart. The first is ok, but the second is much, much better. The only difference is a slight turning of the head, but it makes a big difference in the expression.

Cheetah 8:45:11am

Cheetah 8:45:11am

Cheetah 8:45:14

Cheetah 8:45:14

For an painted animal to “be alive”, the artist is required to accept that they are sentient beings, with their own consciousness. Whatever else animals are, they aren’t “dumb”.

Meercat

Meercat

For the next few weeks, I’ll be discussing animal features one by one and how they relate to capturing life and expression. The final installment will be how it all comes together to create a whole that is greater than the sum of the parts.

Lion yawning

Lion yawning

Hope you find it interesting!

Good Advice for Wildlife Artists

Personally, I have found that learning from good teachers is a great time-saver. What could take years of trial and error can maybe be addressed in an hour and then you get to move on to the next challenge.

In that spirit of benefiting from those who have gone before, here’s some thoughts about the making of wildlife art that I find worthwhile, illustrated with a few of the reference photos I’ve shot through the years.

KEN CARLSON:

“One of the challenges of painting a number of animals, particularly pronghorns, is to design an interesting grouping. What I try to achieve is an appealing overall shape; an uncontrived, natural look to the grouping…”

National Bison Reserve pronghorns; this one has possibilities

National Bison Reserve pronghorns; this has possibilities, but the "grouping" needs a lot of work

BOB KUHN:

“…the need to convey those gestures, poses and attitudes that spell out the character unique to the animal.”

Lake Nakuru cape buffalo; typical "I dare you"

Lake Nakuru cape buffalo; typical "I dare you". The painting I used this reference for will be on my website by the end of November

GUY COHOLEACH:

“You look into the eyes of a leopard in a zoo, and sure, you can get a lot out of them. But look into the eyes of a lion 30 feet away from you, when you’re standing right in front of him with no rifle, and let me tell you, they look a lot different. They do.”

Masai Mara lion; I was in a car, but still...

Masai Mara lion; I was in a car, but still...(Actually, he's flamen. There was a more dominant lion nearby who was with a lioness.)

NICHOLAS HAMMOND author of Modern Wildlife Painting:

“The best of modern wildlife painters show us the mystery and death, memory and beauty and what is to be learned, or lamented, loved or wept for.”

And it helps to have an assistant

And it helps to have an assistant

Happy Hallowe’en!

And Samhain, too!

And Samhain, too!