After looking through Drew Struzen’s wonderful book, “Oeuvre”, I got inspired to pull out some toned Canson paper and try some portraits of Mongol people I’ve photographed over the years. I’m not anywhere near his league, but I’m really having fun doing this kind of finished drawing again.
These are all on Canson Mi Tientes paper, drawn with a 6B General’s Charcoal Pencil and a white Prismacolor colored pencil. For the monks, I added a couple of other colors for their robes.
A herder from Ikh Nartiin Chuluu, 2005
A young monk, Gandan Monastery, Ulaanbaatar, 2006
An older monk, Gandan Monastery, Ulaanbaatar, 2006
Camel herder's wife, Gobi, 2006
I had never heard of William D. Berry until I read a post about him over at James Gurney’s blog, GurneyJourney. Holy Cow, was he an incredible field artist! There is a book that covers three years of his field “sketches”, which you can buy here for the princely sum of…$8.50. This really is a book that should be in every animal artist’s library. One of the nice things he did was note whether or not a drawing was done from memory. If not so noted, they were done from live animals. To say that he thoroughly knew his subjects would be a serious understatement. Here’s a quote from the book on how he did it. Simple, really….
“What this meant was that I devoted a tremendous amount of time and energy to simply recording the facts of animal life – hundreds of hours and thousands of drawings in the zoos or in the forests, on mountains, in deserts, or plains. A caribou, for example, is never going to hold still for you, and a photograph of him, though useful for many reasons, is never going to show him doing exactly what you want him to be doing for a particular illustration (Berry also illustrated a number of field guides and other animal books) . You have to learn the beast inside-out and upside-down, so that you can put him together on the page from scratch and still have him look like he would if you did see him doing just that. So – instead of learning to paint, I was learning a hell of a lot of animals, birds, plants, whatever. I don’t feel I ever did master any mediums, except pencil - the medium I used to make field sketches.”
He used an Eagle pencil on Cameo paper (anyone know what that is or if it is still available?) which was supported by a clipboard, then sprayed the finished drawings with fixative. Here are a few pages that I particularly liked. Remember, these are all drawn from life (Sigh.):
And, finally, one page of color studies.