New Painting Debut! “Rock Hoppin’ ” -Siberian Ibex

Rock Hoppin'  20x36"  oil

Rock Hoppin’ 20×36″ oil

I went to Ikh Nartiin Chuluu Nature Reserve last year with a plan to focus on getting good, paintable Siberian ibex reference. Boy, did that ever work out. On three out of four mornings, I shot over 1000 photos and watched ibex for at least five hours. They were a couple of groups of nannies, kids and juvenile billies who were hanging around some of the rock formations at the west end of the valley where the research camp is located, only a 30 minute walk.

I’ve got a lot to chose from, but loved the “rock hopping” that occurred when this group, who I had already been watching for over an hour as they rested, grazed and interacted, got up and started to move off when the big nanny did. So here she is, cautiously and seriously leading her group to wherever she’s decided they will go, while the youngsters goof off and play follow the leader up and down and on and off the rocks.

Here’s a step by step of “Rock Hoppin’ “:

Ibex group at Ikh Nartiin Chuluu

Ibex group at Ikh Nartiin Chuluu; one of the dozens of photos I shot of this group as they moved off from left to right, the nanny leading the way and stopping at times to evaluate what’s ahead. Most of my reference showed only the rocks, but I wanted some sky also, so chose this photo for the upper left hand part of the painting, particularly that unstable formation at the top, which gives a feeling for the habitat the ibex like best.  There had been a lot of rain and the reserve was as green as anyone could remember. Wildflowers were everywhere. The photos one usually sees of this species are from way up above the tree line in mountains where there is very little vegetation. I liked showing them in a different and more colorful habitat.

Preliminary graphite study

Preliminary graphite study

After doing a compositional drawing, I did a graphite transfer to the canvas and then re-stated the drawing with a brush

After doing a compositional drawing at the final size, I did a graphite transfer to the canvas and then re-stated the drawing with a brush. There had been a fifth ibex in the lower right, but something didn’t seem right design-wise and the solution seemed to be to remove that one, which I did. Then there was still something not right. I realized that I needed an adult ibex, the nanny who was leading the group, not a juvenal billy. This not only let me use a larger animal, which was visually more interesting, but made the painting behaviorally accurate, which is very important to me. I’ve developed a painting procedure that lets me make minor to major changes at any time in the process. I never have to put pressure on myself by “guessing right” at the beginning and then finding myself stuck when something isn’t working.

First color pass

First color pass, just laying in major shapes to make sure it all works. I used three pieces of reference for the ibex and at least three for the rocks. I planned the placement of the smallest ibex so that his/her head would be against the sky, which was not the case with the reference photo.

Modeling the ibex and the rocks

Modeling the ibex and the rocks. I’ve defined the shapes of the shadows on the rocks and can now see the pattern those create. I made sure there were large rocks pointing in from the right so that everything wasn’t moving off the canvas.

Detail of head in progress

Detail of a head in progress. From the base of the horns to the tip of the nose is 1 3/4″. I kept the shapes simple, but accurate. Detail per se is of no importance to me.

Detail of kid in progress

Detail of kid in progress. It was important to get the great gesture correct and show the muscles working.

Almost done.

Almost done. After this photo was taken, I punched up everything as needed, both ibex and the rocks and finished the grass, which has about six layers of warm/cool, light/dark colors, plus the summer flowers. I also refined the branches of the wild apricot shrubs. I basically did a repaint over the whole thing pulling up the light areas and adding color variations to the rocks, including the lichens, which give a warm touch that picks up the colors of the ibex and ties them to the landscape.

Detail; finished ibex, rocks, grass

Detail; finished ibex, rocks, grass. The grass was an almost acid green since it was so fresh. I knocked it back a little in intensity since it didn’t look quite believable in a painting. I also consciously varied the colors of the ibex and the proportion of light to dark on the bodies.

Rock Hoppin'  20x36"  oil

Rock Hoppin’ 20×36″ oil

Mongolia Monday- WildArt Mongolia Expedition Supporter ASSOCIATION GOVIIN KHULAN

log goviin khulan I want to introduce you today to one of the supporters of the WildArt Mongolia Expedition, Association GOVIIN KHULAN, which is run by French khulan researcher Anne-Camille Souris. We’ve corresponded via Facebook for a couple of years and were able to meet and chat in person in Ulaanbaatar during my trip last year.

Anne-Camille also works with Mongol artists through her International Art for Conservation project.

International Art Goviin Khulan ©In the past she worked at Takhiin Tal, one of the destinations of the Expedition, studying takhi. Very few researchers were  carrying out research on khulan compared to takhi, so she switched species. There are also khulan at Takhiin Tal, which is in the Great Gobi B Strictly Protected Area. She has offered to lend her expertise in both these wild equids, for which I am greatly appreciative.

You can find out more about khulan here. And below is the information Anne-Camille sent me about her organization and its work.

Khulans2008_2_A-C SOURIS_S.FOX_FB

“The Association GOVIIN KHULAN is a French non-profit organization that works in the southeast Gobi, Mongolia, to protect the endangered Mongolian Khulan (Equus hemionus hemionus) and its habitat in partnership with local rangers and communities.

The Mongolian Khulan – also known as Mongolian Wild Ass – is an endangered wild Equid and is one the 5 recognized sub-species of the Asiatic Wild Ass. The Mongolian Khulan represents the largest population of this species in the world. However, its population has known an important decrease by as much as 50% since the end of the 1990′s and about 15 000 individuals are now left in the wild.

The Association GOVIIN KHULAN has built a multidisciplinary approach to ensure protection of this endangered species on a long term: a) research, b) local and international information, education and awareness, c) involvement of local communities, d) partnership with local rangers,  e) technical and professional support to rangers and citizen conservationists/scientists, f) partnership with Buddhist monks, g) reinforcement of links between Mongolian culture and traditions with nature protection, and h) community development & animal and environment ethics (in progress).

Khulans2008_A-C SOURIS_S.FOX_FB

Mongolia Monday- Beatrix Bulstrode on Mongolian Bactrian Camels

beatrix bulstrodeFirst in 1911 and again in 1913, an intrepid British woman, Beatrix Bulstrode, traveled in and through Mongolia. The result is one of the great travel classics of all time “A Tour in Mongolia”. I’m only 78 pages in and have already found enough material for 3-4 blog posts. She was a wonderfully droll writer in the the English tradition, coming up with unforgettable phrases like “desperately unsportsmanlike” to describe her Finnish missionary traveling companion’s offer to throw a number of Chinese out of an inn to make more room for Mrs. Bulstrode. She refused for the reason stated above, and so  joined them and nine or ten Mongols either sleeping on the raised heated bed the Chinese call a k’ang or tucked into every available corner.

These days, tour companies like the one I work with, Nomadic Journeys, uses camels for cross-country trekking trips.

These days, tour companies like the one I work with, Nomadic Journeys, use camels for cross-country trekking trips. They carry all the baggage, tents, food and even a ger for use as a kitchen and dining hall.

As she headed north out of Kalgan up onto the Mongolian plain and the Gobi, she passed camel caravans going south. She had a wonderful ability to pick up information and write about what she saw in a vividly compelling way. Here is her description of the bactrian camels:

“The staying power of camels is proverbial. The caravans in Mongolia march from twenty-five to twenty-eight miles a day, averaging a little over two miles an hour, for a month, after which the animals require a two weeks’ rest when they will be ready to begin work again. Their carrying powers all the same do not bear comparison with the ox-cart. The ordinary load for the Bactrian, or two-humped Mongolian, camel is about 2 cwt. For riding purposes, though despised by the horsey Mongol, a good camel may be used with an ordinary saddle for seventy miles a day for a week in spring or autumn without food or water. The points of this particular species are a well-ribbed body, wide feet, and strong, rigid humps. The female camel is pleasanter to ride and generally more easy-going than the skittish young bull camel, who in the months of January and February is likely to be fierce and refractory. I have heard it said that if a camel “goes for you” with an open mouth, you should spring at his neck and hang on with both legs and arms until some one renders you timely assistance and ties him up. Generally speaking, however, they are not savage. They make as though to bite, but seldom actually do. The female might, in fact would, try to protect her young; and the cry of a cow camel when separated from her calf is as pathetic as that of a hare being run down by the hounds.”

My first time on a Mongol bactrian camel. Western Mongolia, Sept. 2006

My first time on a Mongol bactrian camel. Western Mongolia, Sept. 2006

There will be more excerpts by Beatrix in the future. Stay tuned.

Mongolia Monday- My Cashmere Goat Drawing In Switzerland

Cashmere goat,  graphite on vellum bristol

Cashmere goat, graphite on vellum bristol

Back in January, I received an email query from a graphic designer in Switzerland. She had come across the above drawing that I had done of a Mongolian cashmere goat while doing a Google Image search and wondered if I would allow my “stunning sketch” to be used for hang tags on cashmere products that are to be sold in Switzerland’s largest department store. We quickly negotiated a rights and usage fee and I sent her an image to her specifications.

But I’ve learned how this kind of thing can go after working for fifteen years as a freelance graphic designer back in the 1970s and 1980s, so I haven’t announced it even though it’s pretty exciting. My fee was deposited in my Paypal account day before yesterday, so here is the design mockup that was emailed to me showing how my drawing will be used.

My drawing of a Mongolian cashmere goat on the proposed hangtag

My drawing of a Mongolian cashmere goat on the proposed hangtag

Of course I have no idea where the cashmere they are using originates, although the odds are that it is Mongolia, which produces the world’s highest quality, but no matter where it came from, a Mongol goat will be used to help sell it.

People do ask if artists ever sell anything off the internet and I have sold originals that way. But this is another aspect….designers looking to license images for specific uses. Fortunately my commercial illustration training and background gave me the knowledge I needed to professionally negotiate an arrangement that served both our needs. I got a nice fee for a single use of a drawing that I had already done and they got an image that serves their client. Without the internet there’s no way they would ever have found it or me.

I Have Five Entries In The “We Said Go Travel” Travel Writing Contest!

 

Time to milk the camels.

Time to milk the camels.

I’m not a “writer” but I do write, mostly on this blog. I ran across a travel writing contest sponsored by the We Said Go Travel site and decided to re-write five of my posts from my two-week camping trip in Mongolia in July 2010 and see what happens.

Everything that fits the theme, “Inspiration: A Place That You Love” and is written in grammatically correct, decent English is being posted on the website. There will be judging for cash prizes, though, by Richard Bangs, who they describe as “the father of modern adventure travel, so I might even win a few bucks.

Three of the five stories have been posted. The fourth is scheduled for March 12. I’ll update this post as the stories go live.

You can read about the contest here.

You can read my entries at these links. Enjoy!:

http://www.wesaidgotravel.com/camels-and-the-nomadic-dung-fire

http://www.wesaidgotravel.com/an-unexpected-gift

http://www.wesaidgotravel.com/mongolia-the-valley-of-the-yaks

Mongolia Monday- Juried Show News and More!

Mongol Horse Foals: Ready to Grow  14x18"  oil

Mongol Horse Foals: Ready to Grow 14×18″ oil

I am proud to announce that all three of my entries have been accepted into the Academy of Equine Art’s spring show “The Horse in Fine Art-2013 AAEA Invitational Exhibition”! I’m very pleased to be included in this invitation-only show. Once again Mongol horses will be “invading” the Blue Grass Country of Kentucky.

Mongol Horse #8- Watching You

Mongol Horse #8- Watching You  12×24″  oil

As it happens, all three of these paintings were from the same stop not far from Hustai National Park in August 2011. We were heading south in the morning and saw a large herd of horses right by the road. I shot dozens and dozens of photos. There were a lot of flies and the horses were circling and circling to try to get as far into the group as possible. But then they’d break up and I could get shots like the ones I used as reference for these works. The background wasn’t particularly interesting, so I left it out and just let the horses be the design element on a blue background.

Mongol Horse #9- Friends   18x24"  oil

Mongol Horse #9- Friends 18×24″ oil

The exhibition will be in two venues:

Georgetown College, Anne Wright Wilson Gallery Georgetown, Kentucky- April 12- May 24, 2013

Marietta/Cobb Museum of Art, Marietta, Georgia- April 13- July 2, 2013

You can find out more about the AAEA here.

***************

And…I have made the first cut in the We Said Go Travel website’s Travel Writing Contest. As of this writing two of my five entries have been posted and I have been told that the other three will be soon. All of them are adapted from blog posts I did about my wonderful -and wonder-filled- two week camping trip I went on in the Gobi and Hangai Mountains of Mongolia in July 2010. You can read the first two, which both start with the word “Mongolia” in the title, here.

Mongolia Monday- “Viper Camp”, Roy Chapman Andrews

Central Asian pit-viper (Agkistrodon halys intermedius)

Central Asian pit-viper (Gloydius halys); photographed at Ikh Nartiin Chuluu Nature Reserve, August 2010

Last week’s Mongolia Monday post was about reptiles and amphibians I’ve seen in Mongolia. It was well received on Facebookso I decided to follow up with this excerpt from Roy Chapman Andrews’ book about his Central Asiatic Expeditions “The New Conquest of Asia- a narrative of the Central Asiatic Expeditions in Mongolia and China, 1921-1930″, in which they have a pretty intense encounter with one of the four poisonous snakes that occur in Mongolia. He appears to be referring to Agkistrodon halys intermedius since he states earlier in the book that “…the brown pit-viper, Agkistrodon halys intermedius, which is the only poisonous snake we have encountered in the Gobi, is fairly abundant.”
Another photo from the cafe, this one showing the Expedition's camp. The tents are "maikhan" or summer tents, which are lighter and even more portable than the better known felt gers.

Here’s a photo of one of Andrews’ camps, taken at one of the cafes at the American Museum of Natural History. The tents are called “maikhan” or summer tents, which are lighter and even more portable than the better known felt gers.

Our next camp, ten miles to the north of Baron Sog-in-Sumu, was very
similar to the one we had left. The tents were pitched on a great promontory
which projected far out into the basin. Near them was an obo, or religious
monument, and shortly after our arrival two lamas came to call. They were
delegates from a temple, Tukhum-in-Sumu, four miles away, and asked us
to be particularly careful not to shoot or kill any birds or animals on the
bluff. It was a very sacred spot and the spirits would be angry if we took
life in the vicinity. Of course, I agreed to respect their wishes and gave orders
at once. But we had promised more than we could fulfill, as events proved.

VIPER CAMP

In the first two hours of prospecting, three pit-vipers, Agkistrodon, were
discovered close to the tents. A few days later the temperature suddenly
dropped in the late afternoon and the camp had a busy night. The tents
were invaded by an army of vipers which sought warmth and shelter. Lovell
was lying in bed when he saw a wriggling form cross the triangular patch of
moonlight in his tent door. He was about to get up to kill the snake when
he decided to have a look about before he put his bare feet upon the ground.
Reaching for his electric flashlamp, he leaned out of bed and discovered a
viper coiled about each of the legs of his camp cot. A collector’s pickax was
within reach and with it Lovell disposed of the two snakes which had hoped
to share his bed. Then he began a still-hunt for the viper that had first
crossed the patch of moonlight in the door and which he knew was some-
where in the tent. He was hardly out of bed when an enormous serpent
crawled out from under a gasoline box near the head of his cot. Lovell was having rather a lively evening of it — but he was not alone.

Morris killed five vipers in his tent, and Wang, one of the Chinese chauffeurs,
found a snake coiled up in his shoe. Having killed it, he picked up his soft
cap which was lying on the ground and a viper fell out of that. Doctor Loucks
actually put his hand on one which was lying on a pile of shotgun cases. We
named the place “Viper Camp,” because forty-seven snakes were killed in
the tents. Fortunately, the cold had made them sluggish and they did not
strike quickly. Wolf, the police dog, was the only one of our party to be
bitten. He was struck in the leg by a very small snake, but since George
Olsen treated the wound at once, he did not die. The poor animal was very
ill and suffered great pain, but recovered in thirty-six hours.

The snake business got on our nerves and everyone became pretty
jumpy. The Chinese and Mongols deserted their tents, sleeping in the cars
and on camel boxes. The rest of us never moved after dark without a flash-
light in one hand and a pickax in the other. When I walked out of the tent
one evening, I stepped upon something soft and round. My yell brought
the whole camp out, only to find that the snake was a coil of rope ! We had
to break my promise to the lamas and kill the vipers, but our Mongols
remained firm. It was amusing to see one of them shooing a snake out of his
tent with a piece of cloth to a place where the Chinese could kill it. The
vipers were about the size of our copperheads, or perhaps a little larger.
While their fangs probably do not carry enough poison to kill a healthy man,
it would make him very ill.

The snakes inhabit bluffs throughout the desert, like the one on which
we were camped. Their great number at this particular spot was due to the
fact that it was a sacred place and the Mongols would not kill them there.
This viper appears to be the only poisonous snake in the Gobi, and we
collected but one non-poisonous species. The climate is too dry and cold to
favor reptilian life.”
———–
The entire amazing account is available free through the Internet Archive (archive.org) in a variety of formats. It can be downloaded onto iPads through an app called Megareader or saved as a pdf, for instance. There are facsimile versions and also OCR scans, which work but can be filled with errors. Here’s a facsimile version of the book itself, which includes all the photos: http://www.archive.org/stream/newconquestofcen00andr#page/n0/mode/2up

New Painting Debut! “Cashmere Goat, Mongolia” And A Workshop Announcement

"Cashmere Goat, Mongolia"  oil  16x16"

“Cashmere Goat, Mongolia” oil 16×16″

The cashmere goats of Mongolia come in all sizes, colors and horn styles, but the super-soft undercoat wool from which the world’s finest cashmere is made is always the same neutral color.

This handsome billy was one of a large herd I spotted from the ger camp at Arburd Sands last year. They were grazing their way home in great late afternoon light so I grabbed my camera, caught up with them and followed along for awhile to the sounds of munching and bleating.

My big news is that in June I will be teaching a three-hour workshop “I Got In!” How To Enter Juried Art Shows” through Eureka Art Studios in Eureka, California. You can find out more and register here. As you will see, space is limited, so sign up soon!

Mongolia Monday- Reptiles And Amphibians

Central Asian Viper (Gloydius halys)

Central Asian Viper (Gloydius halys)

I’m definitely more of a mammal person, but when out in the field I take photos of anything that moves and a lot that doesn’t.

There aren’t many reptiles and amphibians in Mongolia, but I’ve seen and gotten photos of a few and here they are, starting at the top with one of the four venomous snakes in Mongolia, the Central Asian viper. This is a smallish one and was found down from the research camp at Ikh Nartiin Chuluu Nature Reserve near the spring. One of the scientists coaxed it up onto the stick and brought it to camp so we could all see what one looked like. It was the first time I’d seen a snake in all my trips to Mongolia. Roy Chapman Andrews, in one of his books, describes what was dubbed the Viper Camp when he was in the Gobi. I’ll post an excerpt from that next week.

Below is a very common species of lizard, the Toad-headed agama. I usually see a few on each trip, generally at Ikh Nart.

Toad-headed agama lizard (Phrynocephalus versicolor)

Toad-headed agama lizard (Phrynocephalus versicolor)

The species name “versicolor” is because, even at a single location like Ikh Nart, you can see this kind of color variation…

Toad-headed agama

Toad-headed agama

Amphibians are not the first animal that comes to mind when one thinks of Mongolia, but they’re present, even in the Gobi. I photographed these toads at Orog Nuur, a Gobi lake, in July 2010. I believe they are Mongolian toads (Pseudepidalea raddei).

Mongolian toad (Pseudepidalea raddei)

Four Mongolian toads (Pseudepidalea raddei) (tentative ID)

And saw one again in the wetland area at Gun-Galuut Nature Reserve in August 2011, which is mountain steppe.

Mongolian toad, Gun-Galuut

Mongolian toad, Gun-Galuut (tentative ID)

I’ve seen one frog once and not far from where I photographed the above toad, at Gun-Galuut. I believe this is a Siberian Wood Frog (Rana amurensis). Is that a cool common name or what?

Siberian Wood Frog (Rana amurensis)

Siberian Wood Frog (Rana amurensis) (tentative ID)

Both the toad and the frog are listed by the IUCN as species of Least Concern “…in view of its wide distribution, tolerance of a broad range of habitats, presumed large population, and because it is unlikely to be declining fast enough to qualify for listing in a more threatened category.”