Rainbow from last week's storm
A great old French word that I picked up many years ago when I was active in the Society for Creative Anachronism. It means “a jumble or hodgepodge”. Which is kind of what today’s post is.
SOFTWARE THAT I USE to keep things moving and, with luck organized. FWIW.
I switched to Apple at the end of 2008 and have never looked back. I tease my husband, who still uses a PC, about when he’s going to come over from The Dark Side. He might, at some point, if his business requirements allow. In the meantime, other than house network stuff, which is still his balliwick, I can now handle my system with a minimum of whining at him for technical support.
1. MobileMe- keeps a bunch of data like my address book, email, notes, etc. in an online Apple “cloud”, which lets me effortlessly keep my iMac, MacBook and iPhone synced.
2. Quicken- checkbook balancing trauma is a thing of the past. At last. I also record my credit card transactions.
3. Flick!- just started to enter the records of my paintings. I used to have Working Artist, which I absolutely hated, but everything else available for the PC was worse. Flick! has a clean, attractive interface and responsive tech support. It’s built on Filemaker, the Mac-based database standard.
4. Aperture- Apple’s image management software; handles my closing in on 30,000 images effortlessly. Lets you open images in Photoshop with one click. Set up whatever categories (which it calls Projects and Albums) work best. The RAW files are resident on the iMac for speed, but are backed up to an external Time Machine hard drive, so every image exists in duplicate. We hope to eventually keep an additional set on a Buffalo Terrastation that will be kept in the garage, which is a separate building. Am I paranoid? After experiencing a real, physical back up hard drive crash a couple of years ago with a machine that was supposedly designed to recover from something like that and having the vendor essentially shrug and say “Too bad”, and in which I lost forever a bunch of images of older work, you betcha. CDs are not archival. None of them. A high quality external hard drive is the only way to store images for the long haul.
5. Photoshop CS4- can’t imagine how I’d function without it. The relevant difference between it and Elements is that Elements doesn’t let you do CMYK conversions and other tasks necessary to prepare images for commercial reproduction. I use Photoshop for just about everything image-related.
6. iTunes- last year we converted over 700 CDs to digital. No more getting up to change discs and no more discs taking up valuable shelf space. All my music is right on my desk. Hey, it’s a big deal when you grew up with a record player and a stack of 45s and LPs.
SPEAKING OF MUSIC
Unless I’m writing, talking on the phone or doing concept work (thinking up ideas for paintings), the music’s on. I lived in the San Francisco Bay Area for most of the 1980s and there were still quite a few musicians from the 1960s around and working in various bands. Guitarist John Cippolina was one of them. He was best known as the lead guitarist for Quicksilver Messenger Service. I saw him in the mid-1980s in a band called Terry and the Pirates. It turns out there’s a two album set of recordings by the Pirates and, if you want to spend 99 cents on one of the hottest, driving SF-style rock songs out there, buy “Something to Lose”. Cippolina on the guitar and Nicky Hopkins, who was also in Quicksilver for while, on the piano. Crank. It. Up.
Species tulips, hellebore, flamingos
GARDEN REPORT
Frogs are at it around the clock now, crocus and early daffodils are blooming, tulips are up. Primroses going strong. In the neighborhood, the willows and Indian plum are starting to leaf out already. We’ve covered the front “lawn” (34′x19′) with black plastic and are going to turn it into a vegetable garden.
Soon-to-be-vegies!
Pansies, Pickwick crocus, tulips
BOOK REPORT (and also PLANET SAVER TIP OF THE DAY)
I’ve become increasingly concerned about what’s happening/happened to the food supply in this country. The pet food recall in 2007 definitely got my attention. Oh, and then there’s the Peanut Thing. Now I’m (finally) reading The Omnivore’s Dilemma by Michael Pollan and it is really crystalizing my thinking. One of the basic points is that industrial scale food production, in and of itself, is a major problem, both in the animal suffering it causes and the loss of nutrition and taste in fruits and vegetables. Plus the environmental cost of moving all that stuff an average of 1500 miles. And who would have thought that corn and the excessive amount of it grown is literally the root of the problem.
It’s time to, as Pollan says, “opt out” of the industrial food chain. His book is an exploration of how that food chain works, what the consequences are and how new alternative food chains are being formed. Anyone who wants to make conscious, sound and informed decisions about what they eat needs to read this book.
For us, we’re becoming much better label readers (citric acid is from corn!?). We’re going to concentrate even more on sourcing our food locally. We already do not eat factory-farmed animals or animal products. Period. I’ve mentioned the vegetable garden. We also plan to get chickens later this year to provide eggs.
The great thing is that the information and alternatives are out there, especially for those of us who are fortunate enough to live in California. Obama mentioned in his State of the Union address that subsidies would be cut for “agribusiness”, which is long, long overdue. In the meantime, what we can do is vote with our pocketbooks.
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I’ve personally found the 3/4 view difficult, at least partly because I know that the camera flattens and distorts the form. This is a case where I draw what I know rather than what I see in the image.
Profile is good, also. Then you can see how the nose fits into the rest of the head without worrying about perspective. Pick what you want to emphasize and downplay the rest.
Bird’s beaks are really hard to see close up in the field, generally because they’re small and the owners don’t tend to hold still for long. A captive bird may be your best bet because you don’t want to get caught faking it. But beware captive raptors whose beak tips won’t show the wear that the wild ones will.
Cat noses are fairly similar in form. Variations on a theme, more or less. So drawing your house cat’s nose can be good practice for the big, wild guys.
It’s always great to get good reference of unusual angles, like this one looking up. It helps to see how the lower jaw fits with the upper jaw. Note how I have created a sense of three dimensional form by “wrapping” the right hand upper lip around the lower jaw.
